Best Amp Available For Steel?
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Bill Hankey
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Best Amp Available For Steel?
Which amp is the most popular among steel players? Are there sources that compare one amp to others? Thanks in advance.
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Mike Shefrin
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Bill Hankey
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Jerry Malvern
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One of the sources I use for steel guitar amps is the bathroom scale.
Seriously, as the poll shows, steelers tastes vary as much as their music. I have a Fender Twin Reissue 15, great for recording and around the house, but breaks up before enough volume at a gig. Also own a Peavey Nashville 400, Evans SE200 hybrid, and a Fender Super Twin.
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David Doggett
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Bill Hankey
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Thanks to David, Jerry, and Jack for providing information that will prove to be helpful in decision making. The poll provides information that is reliable in terms of mean averages. I hope to collect more information from others who may be experiencing a long term satisfactory, and troublous free service from the amp that they've selected.
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basilh
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Bill, as well as the poll giving you a yardstick, you might consider asking full time pro's what amp they use.
Whilst there MAY be a limiting financial factor in the semi pro world, the full time professional applies different criteria with regard to tools.
In my small circle of friends most use 1 or 2 NV-112's.
Whilst there MAY be a limiting financial factor in the semi pro world, the full time professional applies different criteria with regard to tools.
In my small circle of friends most use 1 or 2 NV-112's.
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Bill Hankey
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Erv Niehaus
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Bill Hankey
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Erv,
You made an excellent point by calling attention to the rack system. It has been observed that the elite players are constantly trying to improve their tones. This of course adds credence to your statement. Thanks for shedding light on an expensive venture that may very well exceed the here-to-fore crestfallen lowly amp.
A steel player's taste becomes more discriminating and selective it would seem, with the passing of time.
You made an excellent point by calling attention to the rack system. It has been observed that the elite players are constantly trying to improve their tones. This of course adds credence to your statement. Thanks for shedding light on an expensive venture that may very well exceed the here-to-fore crestfallen lowly amp.
A steel player's taste becomes more discriminating and selective it would seem, with the passing of time.
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Erv Niehaus
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Bill,
I guess I'll have to cast blame on Jeff Newmann for getting me headed in this direction. Back when he was writting the column in Peavey's magazine, he advocated using the ProFex II, the DPC 750 amp and a couple of extension speakers for a system. This got me started on the never ending quest for "the" sound. I am very satisfied with I am hearing out of my rack setup but I'd be embarrassed to list all the units that it consists of.
Besides suffering from teminal GAS, I also am somewhat of a gear head.
Erv
I guess I'll have to cast blame on Jeff Newmann for getting me headed in this direction. Back when he was writting the column in Peavey's magazine, he advocated using the ProFex II, the DPC 750 amp and a couple of extension speakers for a system. This got me started on the never ending quest for "the" sound. I am very satisfied with I am hearing out of my rack setup but I'd be embarrassed to list all the units that it consists of.
Besides suffering from teminal GAS, I also am somewhat of a gear head.
Erv
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The NV112 is a great little amp, plenty of clean headroom and consistently rich tone.
For the price, you can't beat it.
At the big Steel Guitar shows (Dallas, St Louis) that's what you mostly see on stage.
A lot of players like to use 2 of them.
When I play live shows, I bring one NV112 and one VK112 and leave the vintage tube amps at home.
Thank you Bobbe Seymour for keeping me supplied with these great little amps!
For the price, you can't beat it.
At the big Steel Guitar shows (Dallas, St Louis) that's what you mostly see on stage.
A lot of players like to use 2 of them.
When I play live shows, I bring one NV112 and one VK112 and leave the vintage tube amps at home.
Thank you Bobbe Seymour for keeping me supplied with these great little amps!
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Bill Hankey
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Thanks fellow musicians for helping me to scope the current most commonly used amps. As with any marketed equipment, the prices are a matter of discretion, and it is always wise to look for discounts for ready cash payments. Depending on store policies, savings of sizable cash discounts would be well worth the effort.
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Bill Hankey
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I like the idea of splitting up the carry load, featured in the Pro Fex II DCP 750 Amp, with 2 extension speakers. Jeff Newman surprised me more than once at the P.S.G.A. Inc. Show in Armonk, N.Y. in the fall of 1992. The room featured long drapes at the windows near the stage. When his scheduled time to play became near, he pulled the drapes aside, and removed the Pro Fex II from behind the drapes. I thought, out of sight, out of mind. No doubt he was opting for an exclusive sound.
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Bill Hankey
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basilh
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Bill Hankey
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David Wren
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I like Jerry's reply. I love my new "reissued" Fender Twin Custom 15 and it is my first choice, but in small clubs I use my NV112. If I do a large venue where I suspect there will not be sound reinforcement I take the two Session 500s (or sometimes one session 500 with the NV112, dialing in the NV112 for the higher frequencies, and the 500 for the lower register.... so the answer depends a lot on the type of venues you play.
Every player I've seen using the rack mount amp with two 15 BW speakers has sounded absolutley great... just too much stuff to load for me.
... and ditto on the thanks to Mr. Seymour. A great guy to do business with!
Every player I've seen using the rack mount amp with two 15 BW speakers has sounded absolutley great... just too much stuff to load for me.
... and ditto on the thanks to Mr. Seymour. A great guy to do business with!
Dave Wren
'25 Williams U12, 7X7; '96 Carter U12, 7X7; '70 MSA D10, 8X5; 1936 7 string National; Line 6 HX Stomp; P2P "Bad Dog amp/ PF 350 12"; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP; 1951 Fender Dual Professional; '76 Webb 6-14 E amp/ Telonics 15" speaker; 2026 Milkman "Half and Half" amp.
'25 Williams U12, 7X7; '96 Carter U12, 7X7; '70 MSA D10, 8X5; 1936 7 string National; Line 6 HX Stomp; P2P "Bad Dog amp/ PF 350 12"; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP; 1951 Fender Dual Professional; '76 Webb 6-14 E amp/ Telonics 15" speaker; 2026 Milkman "Half and Half" amp.
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Bill Hankey
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