Cma11 Tuning
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- Michael James
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The F# gives you a few more major and minor options.
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Here is "Sleepwalk" on my 400 , but No Pedals, just in my G Hexatonic tuning.
https://www.facebook.com/photo.php?v=10200924975020574
https://www.facebook.com/photo.php?v=10200924975020574
- Michael James
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When I listened to your recording it didn't sound like the tuning I use? I did a search on the forums and found your tuning.
(1)=f#
(2)=d
(3)=b
(4)=G
(5)=E
(6)=D
(7)=C
(8)=B
(1)=f#
(2)=d
(3)=b
(4)=G
(5)=E
(6)=D
(7)=C
(8)=B
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- Jay Fagerlie
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Yes, that's my 8 string tuning, No Pedals. I believe it was "bobb" that named it for me.
It is a "scale " a Hexatonic Scale .
6 notes.
Similar to. G Major scale, BUT no 2nd, no A.
When I truncate it to 6 string, the Diatonic bass notes on the 6th string D changes.
I skip the D, use a C for the 6th string, and there is no B.
I retune the 6th to a C, D, B depending on the song.
It is usually a C in the 6 string version.
The 8 string diatonic basses, strings 5-8 = High to Low = E,D,C,B really make the tuning have lots of intervals / chords.
But if I need to work with only 6 strings the = High to Low = f#, d, b, G, E, C works well most of the time.
It is a "scale " a Hexatonic Scale .
6 notes.
Similar to. G Major scale, BUT no 2nd, no A.
When I truncate it to 6 string, the Diatonic bass notes on the 6th string D changes.
I skip the D, use a C for the 6th string, and there is no B.
I retune the 6th to a C, D, B depending on the song.
It is usually a C in the 6 string version.
The 8 string diatonic basses, strings 5-8 = High to Low = E,D,C,B really make the tuning have lots of intervals / chords.
But if I need to work with only 6 strings the = High to Low = f#, d, b, G, E, C works well most of the time.
- Mike Neer
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That's cool, Michael. But without a major second interval in there, it's not really something I can use.
Cool video, Doug!
I tried coming up with tunings forever in the beginning until I just bit the bullet and learned the traditional tunings. Coming from that perspective, I feel like I have a greater understanding of what I need from a new tuning to make it work (and by the way, I spend a considerable amount of time trying to devise new tunings almost every day).
Good luck with it!
Cool video, Doug!
I tried coming up with tunings forever in the beginning until I just bit the bullet and learned the traditional tunings. Coming from that perspective, I feel like I have a greater understanding of what I need from a new tuning to make it work (and by the way, I spend a considerable amount of time trying to devise new tunings almost every day).
Good luck with it!
Last edited by Mike Neer on 16 Aug 2013 5:40 am, edited 1 time in total.
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If you compare my G Hexatonic 6 string tuning to the C6, and D6 tuning you will see a lot of the string to string intervals are the same. It is the relationship of the 3rd and 4th string that is the difference.
C6. D6. G Hexatonic
e. f#. f#
c. d. d
a. b. b
G. A. G
E F#. E
C. D. C ( or B, or D )
Still a minor chord on the top 3 strings
Still a Major chord on the bottom three strings
It's a split,
D6 on the top 3
C6 on the bottom 3
But, that relationship between the 3rd and 4th strings is what Roots this in "G".
The Tonic is;
(2)=d = V
(3)=b = III
(4)=G = I = Root
I can play all the C6 stuff on strings 4, 5, 6 = note for note.
All the C6 stuff on strings 1, 2, ,3 = I play 2 frets down, but the intervals between these 3 strings is the same as C6.
Again, the Relationship between the 3rd, and 4th strings is the key to the G Hexatonic tuning.
I tune my Fender 400 8 String Pedal Steel to a D9.
With the A+B Pedals locked down you get what we like to ref to as "G6".
However, if I then de-tune my 1st string from the Pedal pulled note of "g", down 1/2 step to "f#",... I now have my G Hexatonic tuning.
G6. G Hexatonic
g. Root ~> f#. maj7
d. = d
b. = b
G. Root = G. Root
E. = E
D. = D
C. = C
B. =. B
That 1/2 step change on the 1st string avoids a Lot of Bar Position Jumps.
C6. D6. G Hexatonic
e. f#. f#
c. d. d
a. b. b
G. A. G
E F#. E
C. D. C ( or B, or D )
Still a minor chord on the top 3 strings
Still a Major chord on the bottom three strings
It's a split,
D6 on the top 3
C6 on the bottom 3
But, that relationship between the 3rd and 4th strings is what Roots this in "G".
The Tonic is;
(2)=d = V
(3)=b = III
(4)=G = I = Root
I can play all the C6 stuff on strings 4, 5, 6 = note for note.
All the C6 stuff on strings 1, 2, ,3 = I play 2 frets down, but the intervals between these 3 strings is the same as C6.
Again, the Relationship between the 3rd, and 4th strings is the key to the G Hexatonic tuning.
I tune my Fender 400 8 String Pedal Steel to a D9.
With the A+B Pedals locked down you get what we like to ref to as "G6".
However, if I then de-tune my 1st string from the Pedal pulled note of "g", down 1/2 step to "f#",... I now have my G Hexatonic tuning.
G6. G Hexatonic
g. Root ~> f#. maj7
d. = d
b. = b
G. Root = G. Root
E. = E
D. = D
C. = C
B. =. B
That 1/2 step change on the 1st string avoids a Lot of Bar Position Jumps.
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My G Hexatonic tuning has helped me understand playing Pedals a lot.
As a 6 string guitarist, G6 makes more sense to me than E9 or even D9.
I decided to learn how to play without pedals and then use pedals to enhance the 6th tuning. A lot of the "Early Cats" played C6, A6, E6, G6 straight tuning before they added pedals. Mooney only pulled one string per pedal, but used both feet, and if he don't pull his 1st string, but did pull 3, and 4, he is in the Hexatonic tuning I use.
As a 6 string guitarist, G6 makes more sense to me than E9 or even D9.
I decided to learn how to play without pedals and then use pedals to enhance the 6th tuning. A lot of the "Early Cats" played C6, A6, E6, G6 straight tuning before they added pedals. Mooney only pulled one string per pedal, but used both feet, and if he don't pull his 1st string, but did pull 3, and 4, he is in the Hexatonic tuning I use.
- Randy Reeves
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- Doug Beaumier
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- Michael James
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Here's a Blues Tutorial I made on "C Diatonic" tuning. Enjoy!
http://www.youtube.com/watch?v=0hKf5Knh4zU
http://www.youtube.com/watch?v=0hKf5Knh4zU
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- Michael James
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I made a recording of the song Summertime with the C Diatonic tuning.
http://www.youtube.com/watch?v=4n7bJIDov50
http://www.youtube.com/watch?v=4n7bJIDov50
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- Michael James
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Song For My Father
Here's a recording of the jazz tune "Song For My Father" by Herbie Hancock. I played everything but the drums.
Acoustic bass, Jazz guitar "Gibson L-4", Synth Strings and Lap Steel in CEGBDF.
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
Acoustic bass, Jazz guitar "Gibson L-4", Synth Strings and Lap Steel in CEGBDF.
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
Last edited by Michael James on 23 Aug 2013 11:57 am, edited 2 times in total.
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- Randy Reeves
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- Michael James
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Look again. The download is below where it says no preview.
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- Doug Beaumier
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- Michael James
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Hey Doug, My fault. Sorry about that. I forgot to change the share permissions to public. It's a bigger hassle to host them from my website. I'm just being lazy as usual.
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
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- Randy Reeves
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- Randy Reeves
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http://www.soundclick.com/bands/page_mu ... dID=644552
here is my version of Sleepwalk using this tuning. I am "playing" a 1936 Rickenbacher Model 59. ouch, I hit a wrong note.
Mr. James is playing bass and guitar.
here is my version of Sleepwalk using this tuning. I am "playing" a 1936 Rickenbacher Model 59. ouch, I hit a wrong note.
Mr. James is playing bass and guitar.
- Michael James
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Sounds good Randy!
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- Randy Reeves
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- Michael James
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Hey Randy. Don't worry about it. I decided to record Sleep Walk to see how I could do. Something is up with the chords? Anyone have any suggestions?
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
https://docs.google.com/file/d/0B4pX2am ... sp=sharing
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- Randy Reeves
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- Michael James
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