Shania with Allison Krauss and Union Station
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Rick McDuffie
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Shania is a bonafide international crossover star; Allison and US's market is much smaller. I imagine that, when Shania signed on to do the show, she and Mutt saw to it that it was done on THEIR terms. I don't blame them- I'd watch out for my own interests, too.
I also expect that Allison and US were honored to be on the bill. It's great exposure for them. While they may be revered by bluegrass and traditional country people, I expect they would like to cut a wider swath.
I also expect that Allison and US were honored to be on the bill. It's great exposure for them. While they may be revered by bluegrass and traditional country people, I expect they would like to cut a wider swath.
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Andy Greatrix
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Jeff Lampert
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I understand how everyone likes Allison Krauss. She sings fastastic and has wonderful musicians. Unfortunately, a lot of the time that and $1.50 gets you a cup of coffee. However, I think Shania is terrific. Her first album has cool tunes like "Any Man Of Mine", "Whose Bed Have Your Boots Been Under", and "If You're Not In It For Love", all with very unique arrangements and astounding production. In many ways, Shania's production is far more original that Allison's. Also, the huge cross market appeal only helps steel players. I don't understand how us bashing a good performer like Shania who has consistently over the years used steel in much of her productions helps our cause. This seems to be a repeating theme. The performers that most put the steel in the public eye (Randolph, Shania, etc,) are the ones most criticized by us steel players.
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Herb Steiner
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Robert Randolph is another star that doesn't look like Minnie Pearl or sing like Kitty Wells, again to the detriment of his career here in Forumland. 
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David L. Donald
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Herb Steiner
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Jeff, I'm sure if either added "A Way To Survive" to their repertoires, the tide of Forum Opinion would turn in a heartbeat.<SMALL>The performers that most put the steel in the public eye (Randolph, Shania, etc,) are the ones most criticized by us steel players. </SMALL>

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Jeff Lampert
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David, you said good things about Shania and are about as open-minded as anyone. However, there were seveal others who were critical of her. Listen, everyone is certainly entitled to dislike anyone they choose. I'm just saying that some of these performers actually do a lot for the visibility of the steel. Just a little perspective, that's all. One thing about Shania's tunes that not everyone relates to is that they are "fun" tunes. She doesn't tend to have emotional or serious messages, but rather a light and fun style. There is a tremendous emphasis on the production, but not in a way to disguise her voice. Rather, the production has very inventive, exciting touches that you don't find in any kind of pop music. I give her and Lange tremendous credit for NOT following the typical path but rather taking chances with how they deliver Shania's sound. Everyone should listen to the song "If You're Not In It For Love". IMO, it is an absolutely fabulous song with amazing arrangement flourishes and is completely unclassifiable. Bluesy, country, pop, whatever. I will admit that I think her first albun and earliest stuff was the best.
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Rick McDuffie
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Herb Steiner
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My favorite Shania song was co-written by my friend Billy Graham, of Nashville and Brownwood TX, entitled "There Goes the Neighborhood." Great country song.
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Stephen Gambrell
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Just as the country purists don't care much for Shania, a lot of hardcore 'grassers don't listen to Alison. I like to hear her get her teeth into something, like the old Bad Company song, "Oh Atlanta." But after about six or seven of those "my man left" songs, and I wanna hear Larry Sparks kick one.
BTW, why do we need this thread, which is turning into a Shania vs. Alison beauty contest, or the thread about the sexy women of country music?
BTW, why do we need this thread, which is turning into a Shania vs. Alison beauty contest, or the thread about the sexy women of country music?
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Travis Bernhardt
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Lefty
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Stephen: How many ugly girls do you see on CMT these days? Unfortunate reality.
The original thread was about disappointment (mine) that the "Up Close" show lacked any Union Station covers by Shania, or Allison Krauss singing lead on any Shania songs. Not really a living room jam show, but a very slick production. Maybe it was just not feasible.
Lefty
The original thread was about disappointment (mine) that the "Up Close" show lacked any Union Station covers by Shania, or Allison Krauss singing lead on any Shania songs. Not really a living room jam show, but a very slick production. Maybe it was just not feasible.
Lefty
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Stephen Gambrell
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Lefty, I got the gist of your original post, and I thought it was bizarre when I saw the show, that AKUS was just gonna be the backup thread. Wasn't that your point? Now we're talking about who looks better, and Alison's integrity??? Alison has a sweetheart of a deal with Ken Irwin at Rounder records, Jerry Douglas gets good billing, and Shania's married to one of the best producers in the world. And yes, I know that sex sells. But Alison, who dresses somewhat demurely, is outselling Rhonda Vincent, who'll show off her belly button in a minute! And there are women who are less attractive than Alison, who'll never see the inside of a hit record, because they don't have that "face" appeal that Alison does.
Now, who's more talented? Alison plays fiddle, and Shania strums a guitar. Shania writes, Alison doesn't. Shania dances around, Alison stands still...
I'll let you guys decide.
Now, who's more talented? Alison plays fiddle, and Shania strums a guitar. Shania writes, Alison doesn't. Shania dances around, Alison stands still...
I'll let you guys decide.
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ajm
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"Just had a funny thought, when you mentioned covering each other's songs. Can you imagine Allison Krauss singing That Don't Impress Me Much, or Shania singing Down in the River to Pray?
I think the results would be cringeworthy, but also fascinating..."
It sounds like you know what they're going to sound like before it's even happened.
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Artie McEwan
I think the results would be cringeworthy, but also fascinating..."
It sounds like you know what they're going to sound like before it's even happened.
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Artie McEwan
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David L. Donald
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18 grammy's
And one of the workingest studio musicians too,
She sings back up harmonies and fiddle parts on a lot of rockier projects.
Alison could sing most anything she wanted to and t do it right.
She can sing lead,
and the hamonies for major artists in the studio,
and sing bluegrass live with or without mics,
So she can sing anything in her vocal range.. which is pretty wide.
Shania singing some of Alisons harder parts might be questionable,
but I doubt cringworthy...
hmm a new coinage.
And one of the workingest studio musicians too,
She sings back up harmonies and fiddle parts on a lot of rockier projects.
Alison could sing most anything she wanted to and t do it right.
She can sing lead,
and the hamonies for major artists in the studio,
and sing bluegrass live with or without mics,
So she can sing anything in her vocal range.. which is pretty wide.
Shania singing some of Alisons harder parts might be questionable,
but I doubt cringworthy...
hmm a new coinage.
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Lefty
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Both ladies have disticntive voices, Alison being more distictive.
I enjoyed hearing Alison and the band do backup vocals, a very good job. I thought the arrangements were really full considering they were all acoustical as compared to the originals. The last Shania album was pretty unique having two discs with different versions of each song, one using country or bluegrass instruments. I liked both, but got to have some fiddle, steel, banjo, dobro and guitar.
Lefty
I enjoyed hearing Alison and the band do backup vocals, a very good job. I thought the arrangements were really full considering they were all acoustical as compared to the originals. The last Shania album was pretty unique having two discs with different versions of each song, one using country or bluegrass instruments. I liked both, but got to have some fiddle, steel, banjo, dobro and guitar.
Lefty
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Stephen Gambrell
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