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Herb Steiner
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Post by Herb Steiner »

I believe my friend Michael Johnstone has penned the most accurate description of the parameters, techniques, marketing devices, and general qualities of rap/hip-hop music I've ever read.

Bravo, Michael. Bravo. Image

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Rich Weiss
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Post by Rich Weiss »

Amen, Michael. You oughta send your reply to some newspaper for their op ed page. You have touched an eternal truth.

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David L. Donald
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Post by David L. Donald »

I was in Sam Ash NYC looking for a scoring program.
I asked the sales "kid" what was the difference or benifits between Logic and Digital Performer, which I use.

He said he wasn't sure. I asked how he could be demoing the tools if he didn't know what was good or bad about them.

He said" well I am not a musician, so I can't tell you, but I do edit tracks..

He then said, "well, many of the best producers can't play either, so, so what if I can't."

It says a lot about that segment of the innner city music scene that a salesperson in a major outlet actually believes that getting a Grammy for editing a rap song qualifies someone as a "great Producer".

Tell that to David Foster, Danial Lanois, George Maritn and Quincey Jones.

They know that editing is a tool to save or expand something, not the motus operandi of producing music.
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Mike Perlowin RIP
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Post by Mike Perlowin RIP »

Moi?
Chris Forbes
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Post by Chris Forbes »

Mr. Johnstone, thanks for the good chuckle!! Kudos to you.
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b0b
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Post by b0b »

<SMALL>He then said, "well, many of the best producers can't play either, so, so what if I can't."</SMALL>
He's wrong, you know. There are few good record producers who are not also good musicians. Ask him to name some.

I was always impressed by the harmony vocal on Shania Twain's records. Then I learned it was her hubby/producer Mutt. Duh!

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Theresa Galbraith
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Post by Theresa Galbraith »

I think Mutt sounds like Dwight Yokum on harmonies.