Pedal / Knee Lever Relationships
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Tony Prior
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yeah 3 makes more sense to me also, and thats what i woulda called it if i had had the guitar in front of me, i guess I should add that the diminshed or whatever it is using just the F lever can be found every four frets, OR three frets up from each diminshed chord...is that right? Now I am confusing myself.
another good combo is ABF on 568 (no idea what kind of chord that makes) one fret below root in pedals down position, then slide up one fret and release the F but keep the AB pedals down so you have your major root in pedals down position. that is IF i got that right...I should wait till i have the guitar in front of me probably
another good combo is ABF on 568 (no idea what kind of chord that makes) one fret below root in pedals down position, then slide up one fret and release the F but keep the AB pedals down so you have your major root in pedals down position. that is IF i got that right...I should wait till i have the guitar in front of me probably
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David Doggett
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ABF is an augmented chord. It repeats four frets up.
Dont forget the minors. A pedal alone is the relative minor. BC pedals is the IIm.
Also, learn to play the tonic chord (the root chord of the key) up at the V chord fret with AB pedals down. Many players use that as a home position more than the open pedal tonic position. It gives more of that twangy pedal-mashin' sound.
If you are playing in a minor key. From the A pedal tonic minor position, drop back one fret and hit the AB pedals for the V chord. If you have a lever that raises your 7th string a half-step, that makes it the V7.
Any minor chord you can get with the BC pedals, drop down two frets and get the same minor chord with the E-lower lever.
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<font size="1">Student of the Steel: Zum uni, Fender tube amps, squareneck and roundneck resos, tenor sax, keyboards
<font size="1" color="#8e236b"><p align="center">[This message was edited by David Doggett on 05 April 2006 at 11:41 AM.]</p></FONT>
Dont forget the minors. A pedal alone is the relative minor. BC pedals is the IIm.
Also, learn to play the tonic chord (the root chord of the key) up at the V chord fret with AB pedals down. Many players use that as a home position more than the open pedal tonic position. It gives more of that twangy pedal-mashin' sound.

If you are playing in a minor key. From the A pedal tonic minor position, drop back one fret and hit the AB pedals for the V chord. If you have a lever that raises your 7th string a half-step, that makes it the V7.
Any minor chord you can get with the BC pedals, drop down two frets and get the same minor chord with the E-lower lever.
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<font size="1">Student of the Steel: Zum uni, Fender tube amps, squareneck and roundneck resos, tenor sax, keyboards
<font size="1" color="#8e236b"><p align="center">[This message was edited by David Doggett on 05 April 2006 at 11:41 AM.]</p></FONT>
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Alan Sim
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Joerg Schubert
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Hi Alan.
I would recommend the book "Chord Progression Studies for the Pedal Steel Guitar" by Fred Layman to you.
He shows all important chords with applicable string combination, shows basic chord progression in the three basic positions, scales - harmonized scales horizontal and vertical orders. There are a structured explainations and exercises to each of the issues.
I've never understood that this book isn't a standard like Winnies is, in my humble opinion if comes to chords and scales there is no better one...
Just my 2 cents
Joerg
I
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Emmons P/P D10, ShoBud ProIII SD10, Emmons LGII SD10, MSA SuperSustainII Vintage XL D12, Fender Vibrosonic
I would recommend the book "Chord Progression Studies for the Pedal Steel Guitar" by Fred Layman to you.
He shows all important chords with applicable string combination, shows basic chord progression in the three basic positions, scales - harmonized scales horizontal and vertical orders. There are a structured explainations and exercises to each of the issues.
I've never understood that this book isn't a standard like Winnies is, in my humble opinion if comes to chords and scales there is no better one...
Just my 2 cents
Joerg
I
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Emmons P/P D10, ShoBud ProIII SD10, Emmons LGII SD10, MSA SuperSustainII Vintage XL D12, Fender Vibrosonic
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Alan Sim
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Whilsdt looking for something else I found this from our very own bOb, maybe it will help:
http://www.b0b.com/infoedu/e9theory.htm
he explains the pedal lever combos very well on this page and even offers a few hints as to their application.
http://www.b0b.com/infoedu/e9theory.htm
he explains the pedal lever combos very well on this page and even offers a few hints as to their application.
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Alan Sim
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I'll look over Amazon for it.
One of the things which helped me a great deal was taking the DeWitt Scott book and color coding the pedal/lever change charts using feltpens. I actually didn't completly finish that project, but got about 2/3 through it (since different color pens ran out of ink while I was busy with it.) -But that helped with pattern perception some.
One of the things which helped me a great deal was taking the DeWitt Scott book and color coding the pedal/lever change charts using feltpens. I actually didn't completly finish that project, but got about 2/3 through it (since different color pens ran out of ink while I was busy with it.) -But that helped with pattern perception some.
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Alan Sim
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Dean Cavill
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Howdy,
No one actually answered your question.
"There is no relationship/"
All Pedals and Levers work independently,
except for tunable splits which is a whole
'nuther topic, perhaps not applicable in your case.
Chowder
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Steelin' for the Dark Side
Carter-U12, a Bar, and some Finger Picks
No one actually answered your question.
"There is no relationship/"
All Pedals and Levers work independently,
except for tunable splits which is a whole
'nuther topic, perhaps not applicable in your case.
Chowder
------------------
Steelin' for the Dark Side
Carter-U12, a Bar, and some Finger Picks
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Tony Prior
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Joerg Schubert
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Alan,
check out this thread: http://steelguitarforum.com/Forum5/HTML/010410.html , maybe Fred L. has still some copies left...
Regards
Joerg
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Emmons P/P D10, ShoBud ProIII SD10, Emmons LGII SD10, MSA SuperSustainII Vintage XL D12, Fender Vibrosonic
check out this thread: http://steelguitarforum.com/Forum5/HTML/010410.html , maybe Fred L. has still some copies left...
Regards
Joerg
------------------
Emmons P/P D10, ShoBud ProIII SD10, Emmons LGII SD10, MSA SuperSustainII Vintage XL D12, Fender Vibrosonic
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Alan Sim
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Alan Sim
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Hi Alan,
Here is a link to a video that shows some of the E9th basics, provided by Carter that might be helpful to kind of show what makes the whole thing tick.
http://www.steelguitar.com/resource/videos/vids6string.html
It is intended to help standard guitarists relate better to what's going on, but even if you don't play a regular guitar, it still is good to watch if you are just starting out.
Here is a link to a video that shows some of the E9th basics, provided by Carter that might be helpful to kind of show what makes the whole thing tick.
http://www.steelguitar.com/resource/videos/vids6string.html
It is intended to help standard guitarists relate better to what's going on, but even if you don't play a regular guitar, it still is good to watch if you are just starting out.
