New versus old push pull?

Instruments, mechanical issues, copedents, techniques, etc.

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Bobby Bowman
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Post by Bobby Bowman »

Mike,
I know that it can be done and I've set at a couple PP's over the years that had the splits. I didn't care for the way they felt. I should have looked at yours when I was over there. If I get to make a Super Jam or two this year, and you will allow me, I'd love to take a peek at yours.
Thanks,
BB

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David Doggett
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Post by David Doggett »

Hope you're happy with your choice Richard. Maybe "limitations" was the wrong word for me to use reagarding a p/p universal. Complexity and inconvenience might be more accurate. I could look at my first all-pull and immediately see how to make setup changes, and could do so in a matter of minutes. Making changes on the p/p requires much more carefull thinking, and usually some time consuming trial and error. It reminds me of a great line from the old Amos and Andy show.

Andy: Kingfish, how do you get good judgement?

Kingfish: Ohhh, Andy, good judgement comes from experience.

Andy: Well, how do you get experience?

Kingfish: Bad judgement.

Another problem with the p/p - the sustain is so much better, it forces you to get better at blocking. Image
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Marco Schouten
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Post by Marco Schouten »

Take the Emmons, harder to get and going up in price.
New GFI will be easy to get for a long time.

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Marco Schouten
Sho-Bud LLG; Guyatone 6 string lap steel; John Pearse bar; Emmons bar; Evans SE200 amp