Country Music Evolution
Moderator: Dave Mudgett
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I used to dismiss the Dixie Chicks as a pop act too, and the banjo as a prop.
Then one night I caught them doing an Austin City Limits show on T.V.
I used to play banjo in bluegrass settings, and some people said I was pretty good at it. I know one thing, if that "chick" showed up on a gig, I'd call her Sir, then make myself scarce !
-John
Then one night I caught them doing an Austin City Limits show on T.V.
I used to play banjo in bluegrass settings, and some people said I was pretty good at it. I know one thing, if that "chick" showed up on a gig, I'd call her Sir, then make myself scarce !
-John
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Those gals are country. No doubt about it. There are definite pop and bluegrass influences in there. But they belong on country radio, not pop.<SMALL>I used to dismiss the Dixie Chicks as a pop act too, and the banjo as a prop.</SMALL>
What remains to be seen is how much (if any) they will change if they start to cross-over. And they're a big enough hit, there's GOT to be pressure for them to do just that.
I understand that they've refused (so far) to re-mix some of their songs without the banjo / dobro, etc. to release for pop stations. I say "good for them". Those songs should do quite well on pop radio just the way they are.
Getting back to Garth Brooks for just a moment: I often wonder if he's ever regretted getting "too pop". When he started out, I liked his music (the first album or two). After that, it was just too pop, not country enough for me (for the most part). If he'd come back and start doing songs like "The Dance" again, I think he'd do quite well in country radio. Maybe not as well on the pop side, but he'd still attract an audience from there.
I could say the same things about Tim McGraw, and a few others, too.
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The Unofficial Photographer of The Wilkinsons
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Regardless of which side of the fence you fall on I was kind of shocked to see the video "Lets Make Love" by Faith Hill And Tim One Note. I really am not interested in their sex life so leave it out of the video along with her eight inch highheels. What in god's name does this have to do with any kind of music?...Pete.
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<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>
I was kind of shocked to see the video "Lets Make Love" by Faith Hill And Tim One Note. I really am not interested in their sex life
</SMALL><HR></BLOCKQUOTE>
*Down on the floor laughin'*
Peter, that's the new thing... they call it "Soft Country Porn". They leave it up to you which is the soft part - the audio or the video
-John
I was kind of shocked to see the video "Lets Make Love" by Faith Hill And Tim One Note. I really am not interested in their sex life
</SMALL><HR></BLOCKQUOTE>
*Down on the floor laughin'*
Peter, that's the new thing... they call it "Soft Country Porn". They leave it up to you which is the soft part - the audio or the video

-John
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- Bobby Lee
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With all respect, Carl, today's country is indeed country music. If you play it for rock or R&B fans they will immediately peg it as country, without knowing the song or the name of the singer. I have done this many times. There's a very different set of musical values there, even in Nashville's most "pop" efforts, and it is obvious even to the untrained musical ear.
But when you play those same songs for real country music fans of the older generations, they hear things they don't like and they say "that's not country!". Well, I suppose you can call it whatever you want, but a whole industry and the vast majority of the record-buying public calls it "country music".
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But when you play those same songs for real country music fans of the older generations, they hear things they don't like and they say "that's not country!". Well, I suppose you can call it whatever you want, but a whole industry and the vast majority of the record-buying public calls it "country music".
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
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- Bill Ferguson
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Right on Bob. Whether some like today's music to be called country or not, my feeling is that if we don't call it country, there will be no country ever again.
I have had many changes in my life over the past several years, but my name is still Bill Ferguson, and I play country music every weekend, old and "new" country. I actually like some of the new country much better than the "hillbilly" music that was called country.
That's all.
Bill
I have had many changes in my life over the past several years, but my name is still Bill Ferguson, and I play country music every weekend, old and "new" country. I actually like some of the new country much better than the "hillbilly" music that was called country.
That's all.
Bill
- Herb Steiner
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My take on it is that "country" music is whatever a large number of people who say they listen to "country" music, and identify themselves as "country" music fans, say is "country" music.
My country music is a big tent. I like a lot of what many on this forum would call "rock and roll with a cowboy hat," like Brooks and Dunn. I also never really cared all that much for Jim Reeves, Eddy Arnold, and George Morgan. But both are still what I would call "country."
I don't think the "new country" performers are into excluding traditional country music from "country" music. Play a Bill Monroe record for any of Sawyer Brown and they would say "country." Unfortunately, traditional country fans are usually not as generous.
"Country." It's only a word, and words change. Mark, your example of calling a dog a cat would actually make the dog a cat if enough people recognized that particular mammal and codified its identification with the word "cat." It's only a word, and words change.
Example: "Faggot" was originally an English word for a match or torch that ignited a cannon. Somewhere along the way, it was a slang word for "cigarette." Now, of course, most of us know the current connotation.
Play the music that you like, whatever its called, and/or go out to see performers that play the music you like. Buy their CD's. Don't worry about what Faith or Tim is doing, your opinion won't change anything anyway. The energy you spend grinding your teeth over this could be better spent learning to pick block.
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Herb's Steel Guitar Homesite
My country music is a big tent. I like a lot of what many on this forum would call "rock and roll with a cowboy hat," like Brooks and Dunn. I also never really cared all that much for Jim Reeves, Eddy Arnold, and George Morgan. But both are still what I would call "country."
I don't think the "new country" performers are into excluding traditional country music from "country" music. Play a Bill Monroe record for any of Sawyer Brown and they would say "country." Unfortunately, traditional country fans are usually not as generous.
"Country." It's only a word, and words change. Mark, your example of calling a dog a cat would actually make the dog a cat if enough people recognized that particular mammal and codified its identification with the word "cat." It's only a word, and words change.
Example: "Faggot" was originally an English word for a match or torch that ignited a cannon. Somewhere along the way, it was a slang word for "cigarette." Now, of course, most of us know the current connotation.
Play the music that you like, whatever its called, and/or go out to see performers that play the music you like. Buy their CD's. Don't worry about what Faith or Tim is doing, your opinion won't change anything anyway. The energy you spend grinding your teeth over this could be better spent learning to pick block.

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Herb's Steel Guitar Homesite
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Bill, Bob, and Herb's posts have the name thing figured out.
When I read Carl's post, I thought
Roy Acuff and Bill Monroe would have said the same thing about not calling this stuff "Country" when asked what they thought of electric guitars with drums behind Price, Jones, Hag etc.. They hated that modern sound being classified as "Country" and they were vocal about it. The name argument started way back then, not in the 90's.
Paul
When I read Carl's post, I thought
Roy Acuff and Bill Monroe would have said the same thing about not calling this stuff "Country" when asked what they thought of electric guitars with drums behind Price, Jones, Hag etc.. They hated that modern sound being classified as "Country" and they were vocal about it. The name argument started way back then, not in the 90's.
Paul
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Whatever it is, most of it's still more country than anything else. I can only think of a few artists who would probably be better off on the pop stations than in country.
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The Unofficial Photographer of The Wilkinsons
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The Unofficial Photographer of The Wilkinsons
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Paul, I think the problem is that there is a "conscious effort" on the part of a few people who post on the FORUM to try and persuade others to "forget that classic country stuff".
The general rule (which I just made up) is "Old people don't like young music, and young people don't like old music." Clearly, we're not going to change anybody's mind, so why don't we just accept each other? That answer, too, is clear...at least to Carl!
The general rule (which I just made up) is "Old people don't like young music, and young people don't like old music." Clearly, we're not going to change anybody's mind, so why don't we just accept each other? That answer, too, is clear...at least to Carl!
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I would say "listen to both, and choose the songs you like from both". There's plenty of new stuff I don't care for, and plenty of old stuff I don't care for.<SMALL>I think the problem is that there is a "conscious effort" on the part of a few people who post on the FORUM to try and persuade others to "forget that classic country stuff".</SMALL>
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The Unofficial Photographer of The Wilkinsons
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I have this very debate with my wife at times and we're only 5 yrs apart in age (34 & 29), but as many have noted - every individual's point of reference in different.
I was born and raised with a mom&dad and grandparents that listened to Hag, Buck, Cash, Hank, Jones, Tubb, etc and that music was very much a part of our farming-family life (Carl Smith was Gpa's favorite) - so, those were my early influences that I still have reverence for today.... i.e. I love to listen to Carl Smith with a Beam&water and think about my grandpa - that music does that for people like me that are genueinely hooked into it. THAT PART WILL SURVIVE - recordings that will survive decades of change, even though not necessarily on the radio, but I don't care about that, my collection is my life's radio.
My wife's musical references are not nearly as strong, not to any genre, but she's taken liking to Tim, Faith, Shania, D-chicks, etc and buying those cd's, listens to each a few times and then they sit in the rack and begin their dust collecting. And that's o.k., but it is aggrevating at times when she wrinkles her nose at my old vinyls that have never seen a speck of dust and that call me to shed tears over my love for my grandpa and our family farm -
So, it is somewhat hard to detemine the long-haul value of today's new-country, the real test will be how many kids today and young new-country fans will be inclined to want to listen to today's current songs 30+ years from now??? Maybe some, but I personally do not feel that most of today's new-country is built to endure. - Neil H.
I was born and raised with a mom&dad and grandparents that listened to Hag, Buck, Cash, Hank, Jones, Tubb, etc and that music was very much a part of our farming-family life (Carl Smith was Gpa's favorite) - so, those were my early influences that I still have reverence for today.... i.e. I love to listen to Carl Smith with a Beam&water and think about my grandpa - that music does that for people like me that are genueinely hooked into it. THAT PART WILL SURVIVE - recordings that will survive decades of change, even though not necessarily on the radio, but I don't care about that, my collection is my life's radio.
My wife's musical references are not nearly as strong, not to any genre, but she's taken liking to Tim, Faith, Shania, D-chicks, etc and buying those cd's, listens to each a few times and then they sit in the rack and begin their dust collecting. And that's o.k., but it is aggrevating at times when she wrinkles her nose at my old vinyls that have never seen a speck of dust and that call me to shed tears over my love for my grandpa and our family farm -
So, it is somewhat hard to detemine the long-haul value of today's new-country, the real test will be how many kids today and young new-country fans will be inclined to want to listen to today's current songs 30+ years from now??? Maybe some, but I personally do not feel that most of today's new-country is built to endure. - Neil H.
- Ray Jenkins
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- Bobby Lee
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Donny wrote:
Today there is a wider variety of music available than ever before. "Country" is one of the big categories that includes a lot of different styles. I don't have a problem with that.
I don't think there are many people saying that, Donny. I think that most of us here love classic country and own a lot of it. Most of us have spent the better part of our lives playing it and listening to it.<SMALL>Paul, I think the problem is that there is a "conscious effort" on the part of a few people who post on the FORUM to try and persuade others to "forget that classic country stuff".</SMALL>
Today there is a wider variety of music available than ever before. "Country" is one of the big categories that includes a lot of different styles. I don't have a problem with that.
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Exactly.<SMALL>Today there is a wider variety of music available than ever before. "Country" is one of the big categories that includes a lot of different styles. I don't have a problem with that.</SMALL>
Some people like only German Shepherds. Others like only poodles. Some like most dogs, except for Dobermans. Others like them all, except a few individual dogs they've encountered.
Some might even insist that "Golden Labs are the only dogs worthy of the name -- the rest might as well be cats."
But they're all still dogs. Right?
I had a better analogy: a ternary diagram with each vertice representing either "country", "pop", and "rock" (I'll leave it to the adventurous to expand it to more than 3 components). Music could then be placed somewhere on that diagram, and presumably "classified" based on which area it occupied. But then I realized we'd all be debating over what, exactly, defines those vertices, and how the boundaries should be drawn.
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The Unofficial Photographer of The Wilkinsons
- Ray Jenkins
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OK, I'll bite. What's a Fiss diagram? Or should that be another topic?<SMALL>P.S.Epperle not the Fiss diagram either.</SMALL>
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