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Author Topic:  African/Latin/Hawaiian Steel-VIDEO
Steve Cunningham


From:
Atlanta, GA
Post  Posted 29 Apr 2024 1:49 pm    
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This was originally inspired by Congolese Soukous music and quickly went it’s own way…much fun to play! (featuring 3 Horseshoe pickups)

https://youtu.be/JxQczlq9cyw
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John Rockefeller

 

From:
Wisconsin, USA
Post  Posted 30 Apr 2024 11:41 am    
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Fantastic!
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John Laidler


From:
New South Wales, Australia
Post  Posted 30 Apr 2024 5:40 pm    
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Love it!

Thanks Steve.
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Tim Whitlock


From:
Colorado, USA
Post  Posted 1 May 2024 7:45 am    
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Wonderful! You have such a unique and masterful style Steve!
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Joe A. Roberts


From:
Seoul, South Korea
Post  Posted 1 May 2024 8:02 am    
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Wow that is some awesome playing and the underlying groove is so cool, like a Congolese musical vacation to the Caribbean!
How did you make/get that awesome backing track?
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Paolo Conti

 

From:
France
Post  Posted 1 May 2024 8:27 am    
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Love it too ! Thanks for sharing Steve !
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Lee Baucum


From:
McAllen, Texas (Extreme South) The Final Frontier
Post  Posted 1 May 2024 9:16 am    
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Well, that was fun.

My foot is still tapping to the beat and the video ended some time ago!

~Lee
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David Matzenik


From:
Cairns, on the Coral Sea
Post  Posted 1 May 2024 12:51 pm    
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So good to be able to see what you are doing. Some of those syncopations are pretty slick. Wonderful music. Very Happy
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Nathan Laudenbach

 

From:
Montana
Post  Posted 1 May 2024 6:37 pm    
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THAT music should be on the radio, so good. What tuning or tunings?
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:25 pm    
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John Rockefeller wrote:
Fantastic!


Thanks John!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:26 pm    
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John Laidler wrote:
Love it!

Thanks Steve.


Thanks John!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:27 pm    
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Tim Whitlock wrote:
Wonderful! You have such a unique and masterful style Steve!


Thanks Tim!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:30 pm    
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Joe A. Roberts wrote:
Wow that is some awesome playing and the underlying groove is so cool, like a Congolese musical vacation to the Caribbean!
How did you make/get that awesome backing track?


Thanks Joe. I found the soukous drum loop and played bass & guitar over it.
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:31 pm    
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Paolo Conti wrote:
Love it too ! Thanks for sharing Steve !


You’re welcome. Thanks Paulo!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:33 pm    
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Lee Baucum wrote:
Well, that was fun.

My foot is still tapping to the beat and the video ended some time ago!

~Lee


Yeah Lee, my foot was still tapping the next day…such fun music to play!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:33 pm    
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David Matzenik wrote:
So good to be able to see what you are doing. Some of those syncopations are pretty slick. Wonderful music. Very Happy


Thanks David.
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 1 May 2024 7:36 pm    
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Nathan Laudenbach wrote:
THAT music should be on the radio, so good. What tuning or tunings?


Thanks Nathan. They were all tuned to Open E
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Levi Gemmell

 

From:
New Zealand
Post  Posted 7 May 2024 4:32 pm    
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Congolese rumba is the only other music to make an impression on me as deep as Hawaiian music in the past decade - the latter being the reason that I even started to play the steel! I've been exploring very similar ideas myself.

Interesting that Docteur Nico introduced the steel guitar to Congolese rumba before 1960, but he used it basically for effects on a few recordings, and never really attempted either fast runs or full legato melodies. It makes sense that his gifted style of playing electric guitar was never going to be the thing he tried with a steel.

However for us, it makes so much sense to play the fast runs and the harmonised scales!

All the things that the great Congolese soloists did with their electrics are things that steel was made to do: especially the so-called "mi-solo," the riffs which sit in between the improvising lead and the rhythm guitar, so easily executed in say, C6th, playing harmonised thirds on adjacent strings, etc.

As a side note on Demola Adepoju's pedal steel playing in King Sunny Ade's Nigerian group: it seems to have much more in common with Docteur Nico's early style than it does with typical E9 playing or anything else, even though Ade talked about country music in interviews!

Sounds gorgeous, Steve, thanks for sharing! Cool
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Joseph Lazo

 

From:
Wisconsin, USA
Post  Posted 7 May 2024 5:07 pm    
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Love it!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 12 May 2024 9:39 pm    
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Levi Gemmell wrote:
Congolese rumba is the only other music to make an impression on me as deep as Hawaiian music in the past decade - the latter being the reason that I even started to play the steel! I've been exploring very similar ideas myself.

Interesting that Docteur Nico introduced the steel guitar to Congolese rumba before 1960, but he used it basically for effects on a few recordings, and never really attempted either fast runs or full legato melodies. It makes sense that his gifted style of playing electric guitar was never going to be the thing he tried with a steel.

However for us, it makes so much sense to play the fast runs and the harmonised scales!

All the things that the great Congolese soloists did with their electrics are things that steel was made to do: especially the so-called "mi-solo," the riffs which sit in between the improvising lead and the rhythm guitar, so easily executed in say, C6th, playing harmonised thirds on adjacent strings, etc.

As a side note on Demola Adepoju's pedal steel playing in King Sunny Ade's Nigerian group: it seems to have much more in common with Docteur Nico's early style than it does with typical E9 playing or anything else, even though Ade talked about country music in interviews!

Sounds gorgeous, Steve, thanks for sharing! Cool


Cool info, thanks Levi!
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Steve Cunningham


From:
Atlanta, GA
Post  Posted 12 May 2024 9:40 pm    
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Joseph Lazo wrote:
Love it!


Thanks Joseph!
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