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Post new topic what is it? Year , Make , Value? thanks
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Author Topic:  what is it? Year , Make , Value? thanks
Johnie King


From:
Tennessee, USA
Post  Posted 21 Apr 2019 1:52 pm    
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Your right Tony maybe he’s still in Jail.
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Fred


From:
Amesbury, MA
Post  Posted 22 Apr 2019 1:37 am    
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I’d trade a MIM Tele for it if I still had one!
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 8 Sep 2019 4:36 am    
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 8 Sep 2019 4:38 am    
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 8 Sep 2019 4:40 am    
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 8 Sep 2019 4:53 am    
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As it turned out, the previous pictures of this steel didn't show the current condition. It's really unfortunate that it was stored somewhere where it picked up moisture and would have to be completely disabled, derusted and put back together. Though over built I can't help but appreciate the skill, desire and workmanship that some builder/ player had to see this to fruition. I posted these additional pics bc I thought you all might enjoy as well.
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Charley Bond


From:
Inola, OK, USA
Post  Posted 9 Sep 2019 10:28 am     Did anybody call it a Nightmare...yet.?
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That might be a great guitar for someone to restore, to put in a Museum, but it doesn't look like any kind of a player to me...
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 9 Sep 2019 10:34 am    
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I think it has a great future-----as a boat anchor! Rolling Eyes
Erv
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J R Rose

 

From:
Keota, Oklahoma, USA
Post  Posted 13 Sep 2019 8:55 am    
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Maybe Lee Roy Prine of Ft. Smith, Ark. He made a few early day guitars called Pedalmaster, Long before RoyThomas with the Pedalmaster. I know that Lee Roy used some ZB fretborads. He had a sign shop and he may have made a bunch of them for Zane. And BeeJay Guitars were around at that time, made by Ben Jack. A lot of pickers of that time hung out at Ben Jack's Guitar Store. A great place to be in those days. J.R.
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NOTHING..Sold it all. J.R. Rose
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Pat Heller

 

From:
Missouri, USA (deceased)
Post  Posted 13 Sep 2019 2:36 pm     What's it worth
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If it were mine I"d break into somebody's garage and leave it.
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Jim Sliff


From:
Lawndale California, USA
Post  Posted 15 Sep 2019 5:17 pm    
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It's the kind of crazy thing I'd trade for just to fool around with.

It's not a brand name instrument. It is a guitar built from spare parts, common hardware store parts and either a home or friendly local machine shop. You'll never find out the story behind it.

There will be no manual and it's the kind of guitar that should only be purchased by someone familiar with the operation of pedal steels. A "Newbie" will have a devil of a time trying to simply tune the changes!

If you don't know what you are doing, DO NOT trade for it. It's not a good guitar to learn on and its capabilities may be nowhere near those of a "normal" guitar. But you might be doing someone a favor who is local to the owner by letting them know the contact details.
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No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Jeremy Threlfall


From:
now in Western Australia
Post  Posted 15 Sep 2019 7:04 pm    
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knee levers made out of pedals - ingenious!
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 17 Sep 2019 4:40 am    
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Charlie, J R and Jim I appreciate your input. Even the anchor comment has merit!
I passed on this steel and you guys have pretty much echoed my sentiments. I think that if he had given it to me I'd still have trouble coming out on top but it would be worth the effort to save
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Jon Light


From:
Saugerties, NY
Post  Posted 17 Sep 2019 5:37 am    
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re: pedal as knee lever.

Tom Brumley & ZB.


Photo courtesy of Dave Van Allen


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Henry Matthews


From:
Texarkana, Ark USA
Post  Posted 17 Sep 2019 8:07 am    
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I agree with Erv, throw them in the clink
Looks like an Ace hardware special
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Henry Matthews

D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Jim Pitman

 

From:
Waterbury Ctr. VT 05677 USA
Post  Posted 25 Sep 2019 4:20 pm    
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Come on folks, cables and pulleys were evolutionary so I wouldn't belittle it by calling it a hardware store guitar.
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George Geisser

 

From:
Branson, Missouri, USA
Post  Posted 16 Oct 2019 8:01 am    
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I ended up passing as I have way too many projects ahead of it. Ended up with a D12 Wright instead.
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