Lloyd Green/Tommy White: “Variations of a Theme: Part 1�

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Charley Hill
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Lloyd Green/Tommy White: “Variations of a Theme: Part 1�

Post by Charley Hill »

https://www.youtube.com/watch?v=Q78jWwo ... tion=share

“Variations of a Theme: Part 1”
Written by Tommy White and Lloyd Green


Tommy White and I wrote this tune, but mostly Tommy and it’s virtually all his melody. More importantly than this beautiful melody though is the fact that around 50% is played with pedals B and C and the knee lever lowering the 2nd string a half and whole tone, and the E to F lever. The strings are mostly 2, 4 and 6.
This is a wholly new concept of how to use the pedals and strings on the E9th. It gives different voicing to the normal triads played, with the melody often being on the 2nd or 3rd rather than top string and no 3rd string is involved in the new segments of the tune. When playing it much will be counter-intuitive and mirror imaged, which initially was confusing to both Tommy and me, unusual in itself. I’m only putting this out there because Tommy and I wanted to add some missing elements and dialog to the language of the E9th tuning.
Russ Pahl played the rhythm guitar, the only other instrument, and produced and mixed it.

Lloyd Green
Last edited by Charley Hill on 25 Dec 2015 1:08 pm, edited 4 times in total.
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Chris Templeton
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Post by Chris Templeton »

That's the best song in ages!
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Doug Earnest
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Post by Doug Earnest »

Llong Llive Lloyd!

And Tommy, too, of course.

That is a beautiful piece and is further proof that you don't need a whole bunch of levers and pedals, all you have to do is learn to play. Easier said than done.

Thank you to Lloyd, Tommy, and Russ for producing this wonderful piece of music.[/i]
Charley Hill
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Post by Charley Hill »

I wonder how he does it?
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Tim Russell
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Post by Tim Russell »

Perfect, nothing more to add. :)
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Dan Robinson
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Post by Dan Robinson »

Beautiful. I am carried away!
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Post by Tommy White »

Only Lloyd could relate my small contribution of ideas on this melody so beautifully, and it means so much to me for Lloyd to give me such credit.
Now, I must say, my contribution to the melody was constructed from ideas in a way of playing taught to me by Lloyd through the years. Virtually every idea for the melody is tied to Lloyd's unique way of playing in what I've come to refer to as "tensioned reverse positions", which obviously expands the E9th tuning, opening possibles not played in this way before that I know of. Wow, he played the entire song employing this method!
I think one of the very best exhibitions and examples of what can be done on the E9th I've ever heard. Thank you so much Lloyd! Also, thanks to my friend Russ Pahl for making this recording happen and for his great guitar playing and musical expertise.👏🏻👏🏻👍🏻😊
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Charlie McDonald
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Post by Charlie McDonald »

Simply lovely. I like the elevated dialog whether I can grasp it now or not; keeps me listening for its elements,
pushing the envelope of what once was counter-intuitive. Thank you Charley Hill.
Floyd Lowery
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Post by Floyd Lowery »

WOW This is my favorite kind of petal steel guitar music. :D
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robert kramer
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Post by robert kramer »

This is probably wrong but at least I’m trying!

They’re in F.

(with 2nd string lowered 1/2 step)
3 pickup notes start:

Hit 1st fret 5th fret
Slide to 3rd fret
Hit 2nd string (lowered 1/2 step )
and then hit 4th string

Then with B&C pedals down and 2nd string still lowered 1/2 step
and hit strings 2 - 4 - 6 for the F chord

Then (with B&C still pedals down and 2nd string still lowered 1/2 step)
Hit string 4 and slide note to 5th fret

Let off on the pedals but keep the 2nd string lowered 1/2 step

At the 5th fret hit strings 2 - 4 - 6 for the A7 chord

This is as far as I’ve gotten (or may ever get!)
J R Rose
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Post by J R Rose »

Beautiful!! Simply Beautiful!! J.R.
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Post by Skip Edwards »

Awesome...really.
So...when do we get to hear Part II?
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Walter Stettner
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Post by Walter Stettner »

Unbelievably beautiful. This sends chills down my spine..

Kind Regards, Walter
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Dale Rottacker
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Post by Dale Rottacker »

As good as it gets... can hardly wait for part 2
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Chris Templeton
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Post by Chris Templeton »

Deleted
Last edited by Chris Templeton on 3 Dec 2015 1:21 pm, edited 1 time in total.
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Peter Freiberger
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Post by Peter Freiberger »

Stunning. Quintessential Lloyd Green. As much of an intellectual and technical challenge as it obviously was, musically it rises far above being only a technical exercise.
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Post by Steven Meyrich »

That's lovely, thanks.
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Post by Tommy White »

Peter Freiberger,
Perfectly stated. I wish I would have said it!
Even though I had a hand in it and can play the song, it's Lloyd's artistry that does the song justice.
As has been said, just beautiful!
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Post by Peter Freiberger »

Thanks Tommy, but I'd rather be able to play it like you can, than just say it!
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Post by Mike Daly »

Lloyd, Tommy, and Russ... That is beautiful...Thank you and looking forward to more from your collective muses ?
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psg

Post by Billy Carr »

Excellent. I refer to this type of playing as, "Reaching out and touching folks".
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John McClung
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Post by John McClung »

I'm not at the same level as Lloyd or Tommy, obviously, but in my own personal studies I keep finding new things to do with strings 1 and 2. Stuff that's far outside the usual "licks" most folks quickly discover in that region.

I love this delicate voicing, Lloyd!
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Craig Schwartz
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Post by Craig Schwartz »

Wow, seems totally from the heart , or say a heartful prayer , just a wonderful song , you guys are genius's
SO MANY LURES, SO LITTLE TIME....
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Frank Freniere
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Post by Frank Freniere »

Any chance this could be become a tab course, Tommy?
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gary pierce
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Post by gary pierce »

Awesome playing by Lloyd, and Russ. I wonder if thats the old LDG Bud.
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