A&F Lever riffs?

Toby Rider · From: Fort Worth, Texas, USA

Anyone have some cool riffs involving the A&F lever on the E9th neck that they wouldn't mind sharing? Smile

Ricky Davis · From: Bertram, Texas USA

Sure I'll start with a little move I like to do from G to G9 to G7 to F.



3._3~~6~~~~~~~~~


4._3~~6L~6~6R~~~__~8


5._3~~6a~~~~~~~6__~8


6.________________~8

------------------
Ricky Davis

My Homepage
Rebel™ and Ricky's Audio Clips
www.mightyfinemusic.com
Email Ricky: sshawaiian@austin.rr.com

Toby Rider · From: Fort Worth, Texas, USA

Wow Ricky, that's a nice one, and exactly the type of thing I was hoping folks would post! Thanks alot!

Ricky Davis · From: Bertram, Texas USA

Hey no prob. Toby.
Here's another little diddy from D(5 chord) back to G(1 chord).



4._10_9_8_7R~~6R


5.________7~~~6a


6.______8_______


7.____9_________


8._10___________

And a move from G to G or G/D/G; starting off your beautiful ballad solo with.
You'll notice a slant to the 11th fret with the bottom string of the grouping, so go for it...ha.



4.________________


5._3~~8~~~10~~~10a


6._3~~8~~~10~~~10b


7.________________


8._3~~8R~~11R~~10

and from C(1 chord) to F(4 chord) via the augmented passing chord done a few ways.



4._3~~~3R~~4R


5._3a~~3a~~4a


6._3b~~3b~~4


OR


4._3~~~3R~~4R


5._3a~~3a~~4a


6._3b~~3~~~4


OR


4._3~~~3R~~4R


5._3a~~3a~~4a


6._3b~~3bL~4

"bL" is lower 6th string a whole tone from the b pedal down postition if ya have it.
Ricky

Ricky Davis · From: Bertram, Texas USA

OH and I have about 20 more with using the "F" lever(4th&8th string raise half tone); but then I'll have to start charging...ha.....

Just kiddin'; have fun with it.
Ricky

mickd · From: london,england

great stuff

On that very last one, if you don't have the string 6 lower, you can get it using string 7 with a raise (which a lot of people have on LKV). It won't sound as good though, as you lose get the 'moving' effect.

Toby Rider · From: Fort Worth, Texas, USA

I'm going to get that lower installed on my "new" Sho Bud, when it arrives in the mail. Maybe a compensator too.

The stork is going to show up at my door wearing a stetson hat, boots, pulling a dolly with a PSG case on it Smile

The stork will then spit out his copenhagen and ask me to sign to acknowledge receipt of the package. Once I sign, the stork will say "see y'all", hop back into his 4x4 dually, fire up the diesel engine and rattle off :-)

Seriously, I'm surprised that more people haven't chimed in on F-lever riffs. Isn't the F lever a standard thing with PSG's that have at least 4 knee levers?

I am a novice PSG player, yet I've been exposed to the usefulness of the F lever already.

Bengt Erlandsen · From: Brekstad, NORWAY

Here is one place to use the A+F.



F#--------------------------------------------------------


D#--------------------------------------------------------


G#--------------------------------------------------------


E ---10---10L--7---7L--5---5R--7-------5---5R--7---7R-8R--


B ---10---10---7---7---5A--5A--7-------5A--5A--7---7--8---


G#---------------------------------------5B---------------


F#--------------------------------------------------------


E --------------------------------------------------------


D --------------------------------------------------------


B --------------------------------------------------------

Going from a D chord to an A7 using both the E-lower & E raise various places to imply different D chord voicings

Can't remember where I stole that line. Maybe somebody can recognize it and refresh my memory.

Bengt Erlandsen

mickd · From: london,england

sounds like Mack The Knife ..

Tony Dingus · From: Kingsport, Tennessee, USA

Here's one I use on uptempo songs going from the 1 to the 4 using a forward roll. This one is G to C.

3)-------3--------4------5-----6~~~8--
4)-----3-------4F------5F----6F~~~~8--
5)-2~3-----3~4-----4~5----5~6~~~~~~8--

Tony

Gary Shepherd · From: Fox, Oklahoma, USA

My other attempt didn't seem to post. If this gets duplicated - please delete the extra one.

This is from Vince Gill's "Look At Us". It's in the intro.



   D                                G               A7


   |       |       |       |        |       |       |       |        


 1|————————————————————————————————|————————————————————————————————|


 2|————————————————————————————————|————————————————————————————————|


 3|————————————————————————————————|————————————————————————————————|


 4|————————————————5———5———————————|————————————————————————————————|


 5|————————————————5———5A——5A——————|6A——————10A—————8A——————————————|


 6|————————————————————————5B——————|————————————————————————————————|


 7|————————————————————————————————|————————————————————————————————|


 8|————————————————————————————————|6F——————10——————8F——————————————|


 9|————————————————————————————————|————————————————————————————————|


10|————————————————————————————————|————————————————————————————————|

------------------
Gary Shepherd

Sierra Session 12

www.16tracks.com

Ricky Davis · From: Bertram, Texas USA

Gary's last phrase here; can also be played
two more ways. The actual solo John Hughey played
was in the Key of Eb; so up 1 fret from the tab
below.



   G               A7


   |       |       |       |


 1|————————————————————————————————|


 2|————————————————————————————————|


 3|————————————————————————————————|


 4|————————————————————————————————|


 5|6A——————10A—————8A——————————————|


 6|————————————————————————————————|


 7|————————————————————————————————|


 8|6F——————10——————8F——————————————|


 9|————————————————————————————————|


10|————————————————————————————————|

Or



4._3~~6R~~5


5._________


6._3~~6~~~5

Or



4._3~~5c~~5


5._________


6._3~~5b~~5

Ricky

Bengt Erlandsen · From: Brekstad, NORWAY

Since the melody goes down to the A7 this would probably be a 3rd option



    G               A7


   |       |       |       |


 1|————————————————————————————————|


 2|————————————————————————————————|


 3|————————————————————————————————|


 4|————————————————————————————————|


 5|6A——————10A—————10——————————————|


 6|————————————————————————————————|


 7|————————————————————————————————|


 8|6F——————10——————10L—————————————|


 9|————————————————————————————————|


10|————————————————————————————————|

Bengt Erlandsen · From: Brekstad, NORWAY

Probably not the everyday use for the E-F lever, but still

The E-F lever can be used to get a half stop feel on the C pedal. It works on all my all-pull guitars, not sure about push-pull guitars.

One has to be a little bit gentle on the Cpedal to feel when the 4th string raise of the Cpedal hits the raisefinger(halfstop)but it is well worth it IMO since there is a bunch of fun stuff to find usig that technique.



Hold E to F lever in all the time. The C* in the tab means halfstop pedal!!!!  





1------------------------------------------------------8--------------------


 2---------------------------------------------8-----------------8-----------


 3---------------------------------------------------------------------------


 4------------------------------------------------8R~8C----8C~8R-------------


 5---------------------------------------8~~8C*---------------------8~~8C*---


 6------------------------------------8------------------------------------6--


 7---------------------------------------------------------------------------


 8---------------------------------------------------------------------------


 9---------------------------------------------------------------------------


10---------------------------------------------------------------------------


     1  .  .  2  .  .  3  .  .  4  .  .  1  .  .  2  .  .  3  .  .  4  .  .  


 








1------------------6-----------------------------------1--------------------


 2---------6-----------------6------------------1----------------1-----------


 3------------------------------------------------------------------1~~~~----


 4------------6R~6C----6C~6R----------------------1R~1C----1C~1R-------------


 5---6~~6C*---------------------6~~6C*---1~~1C*------------------------------


 6------------------------------------1--------------------------------------


 7---------------------------------------------------------------------------


 8---------------------------------------------------------------------------


 9---------------------------------------------------------------------------


10---------------------------------------------------------------------------


     1  .  .  2  .  .  3  .  .  4  .  .  1  .  .  2  .  .  3  .  .  4  .  .  


 


 


 1---------------------------------------------------------------------------


 2---6~~~~~~~~(7)~~~~~~~(~~~~~~~~~~~~~-------------------------------------


 3---------------------------------------------------------------------------


 4---------------------------------------------------------------------------


 5---6C*~6~6C*~7C*~7~7C*~8C*~8~8C*~~~~~~-------------------------------------


 6---------------------------------------------------------------------------


 7---------------------------------------------------------------------------


 8---------------------------------------------------------------------------


 9---------------------------------------------------------------------------


10---------------------------------------------------------------------------


     1   .  .  2   .  .  3  .  .  4  .  .  1  .  .  2  .  .  3  .  .  4  .  .  


 


  


 


 


 


  


 


Small speedpicking exercise. Thumb plays str 5 & 4, index str 3, middle str 2


 


 Hold E to F lever in all the time. The C* in the tab means halfstop pedal!!!! 


 


 1-------------------------------------------------------------------------------


 2------4---------4---------4---------4--------4--------4-------------4--------4-


 3-----------4---------4---------4---------4--------4--------4---4--------4------


 4--------4R--------4R--------4R--------4R-------4R-------4R-------4R-------4R---


 5---4C*-------4C*-------4C*-------4C*-------4--------4--------4--------4--------


 6-------------------------------------------------------------------------------


 7-------------------------------------------------------------------------------


 8-------------------------------------------------------------------------------


 9-------------------------------------------------------------------------------


10-------------------------------------------------------------------------------


     T  2 T  1 continue similar....................            T 1 T  2 T 1 T  2


 


 


 1-------------------------------------------------------------------------------


 2------4---------4---------4---------4--------7L-------6LL------4~~~~-----------


 3-----------4---------4---------4---------4--------7---------6--4~~~~-----------


 4--------4R--------4R--------4R--------4R-------7R--------6R--------------------


 5---4C*-------4C*-------4C*-------4C*-------7--------6----------4~~4C*----------


 6-------------------------------------------------------------------------------


 7-------------------------------------------------------------------------------


 8-------------------------------------------------------------------------------


 9-------------------------------------------------------------------------------


10-------------------------------------------------------------------------------

Drew Howard · From: 48854

Check Hal Rugg.

Here's one influenced by him. G



1/-----------------------


2/-------------6---------


3/--------6----6----6----


4/--------6F--------6F---


5/---6A------6----6----6-





1 2+3+4+





speedpicking G-D-G





1/---------------------------


2/--------6---------5L-------


3/---------------------------


4/-----6F---------5----------


5/--6A------6A^5A------5A^6A-





1/16th's

cheers,
Drew

------------------
Fessenden D-10 8+8 / Magnatone S-8 (E13)

[This message was edited by Drew Howard on 24 October 2004 at 07:16 AM.]

[This message was edited by Drew Howard on 24 October 2004 at 07:17 AM.]

Bengt Erlandsen · From: Brekstad, NORWAY

The F lever gives access to the b5 if one wants a minor pentatonic scale while staying at the same fret.

Example 2 octaves of an E minor pentatonic scale w/b5. Notes = Root b3 4 b5 5 b7, or E G A Bb B D



F#---------------------------5-----------


D#--------------------5L-----------------


G#----------------------------5B-7B------


E ----------------------5-5R-------------


B ------------------5--------------------


G#---------------5B----------------------


F#-------------5-------------------------


E --------5-5R---------------------------


D ------5--------------------------------


B ----5----------------------------------

CrowBear Schmitt · From: Ariege, - PairO'knees, - France

Mercy Bookoo Gentlemen

Toby Rider · From: Fort Worth, Texas, USA

Bengt, is your first example in C?

Bengt Erlandsen · From: Brekstad, NORWAY

If you mean the example that starts on 8th fret, goes to 6th fret and 1st fret and back to 8th fret. Not key of C even if I'm on the 8th fret.
It is a turnaround/intro type thing that goes E7 (8th fret), D7 (6th fret), A7(1st fret) and back to E7.

Just make sure to follow the instructions about the half pedal otherwise it will sound, hmmmmmmm different.

[This message was edited by Bengt Erlandsen on 25 October 2004 at 10:49 AM.]

Donald Jeunette · From: Phoenix, Arizona, USA * R.I.P.

Please bump

------------------
"FIRST AND FORMOST A JEFF NEWMAN STUDENT"
Mullens 8+5 and Nashville 1000 BOSS DD3 AND GOODRICH 7A
RETIRED AND STEELIN ALL I CAN.
"The Steel Guitar puts the PRETTY in Country Music"

Fay Reid · From: Orono, Ontario, Canada



1._________________________________________


2._______6____________6______________8_____


3._6-6___6_____6--6B__6B_______6B-8__8_____


4._6-6F________6F-6F___________6F-8________


5._________6A_____________6A___________6(A)

G to C/Am(A-pedal)

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