The Steel Guitar Forum Store 

Post new topic In ear monitors
Goto page 1, 2  Next
Reply to topic
Author Topic:  In ear monitors
Karen Sarkisian


From:
Boston, MA, USA
Post  Posted 19 Sep 2017 8:00 am    
Reply with quote

Is anyone using in-ear monitors here ? My band is moving in that direction and has suggested the Shure SE535's but they are expensive at $499.00. Just wondering what others are using or if the 535's are worth the money. thanks !
_________________
Emmons PP, Mullen G2 and Discovery
View user's profile Send private message Send e-mail Visit poster's website

Dale Foreman

 

From:
Crowley Louisiana, USA
Post  Posted 19 Sep 2017 9:37 am     In ear monitors
Reply with quote

I use in ear depending on the venue and sound system. My best advice is don't go cheap if you go this way. There is a lot of junk out there.
_________________
Rittenberry Prestige(2)
View user's profile Send private message Send e-mail

Karen Sarkisian


From:
Boston, MA, USA
Post  Posted 19 Sep 2017 12:27 pm    
Reply with quote

what do you use Dale ?
_________________
Emmons PP, Mullen G2 and Discovery
View user's profile Send private message Send e-mail Visit poster's website

Ronald Sikes


From:
Corsicana, Tx
Post  Posted 19 Sep 2017 12:39 pm    
Reply with quote

Hi Karen , I've been using the SE 535's for about a year now. I've been pleased with the quality. Does take some getting used to though.

Ron
_________________
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
View user's profile Send private message Send e-mail

Karen Sarkisian


From:
Boston, MA, USA
Post  Posted 19 Sep 2017 1:09 pm    
Reply with quote

just ordered the 535s
_________________
Emmons PP, Mullen G2 and Discovery
View user's profile Send private message Send e-mail Visit poster's website

David Gertschen

 

From:
Phoenix, Arizona
Post  Posted 19 Sep 2017 3:49 pm    
Reply with quote

I'm probably going to go with those soon also. It would be nice if there was some way to hear what they sound like before dropping that much dough...

Can anyone chime in with their opinions of other brands, like InEarZ or Westones??
View user's profile Send private message Send e-mail

Mike Scaggs


From:
Nashville, TN
Post  Posted 19 Sep 2017 5:43 pm    
Reply with quote

I use triple driver Future Sonics, total pro stuff
_________________
I can explain it to you but I can't understand it for you

Zum double Hybrid 8x9, 64 Twin (JBLs), p2pAmps Bad-Dawg, p2pAmps Tremendous Reverb, Visit my website www.p2pamps.com
View user's profile Send private message Send e-mail Visit poster's website

Paul Sutherland

 

From:
Placerville, California
Post  Posted 19 Sep 2017 5:49 pm    
Reply with quote

If you are really trying to get professional level ear monitors, they need to be custom molded. Everyone's ears are different. It's very unlikely you will be satisfied in the long run with an off the shelf fit.
_________________
It don't mean a thing if it ain't got that swing.
View user's profile Send private message Send e-mail

Ronald Sikes


From:
Corsicana, Tx
Post  Posted 19 Sep 2017 6:17 pm    
Reply with quote

Karen , I don't think you'll have any regrets with the 535'S. They are triple drivers. No they are not custom molded. However they fit very well. For the part time/weekend warrior , $100 a night musician I like them fine 😊 Let us know how you like them after you use them for a while.
_________________
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
View user's profile Send private message Send e-mail

Howard Parker


From:
Maryland
Post  Posted 19 Sep 2017 6:22 pm    
Reply with quote

FWIW. I use the Shure and I'm constantly amazed how isolated you can get with the stock ear buds. They do a remarkable job even as compared to my custom molded Westone plugs.

I'm a happy camper. I love em'.

hp
_________________
Howard Parker

03\' Carter D-10
70\'s Dekley D-10
52\' Fender Custom
Many guitars by Paul Beard
Listowner Resoguit-L
View user's profile Send private message Send e-mail Visit poster's website

Bryan Daste


From:
Portland, Oregon, USA
Post  Posted 19 Sep 2017 6:55 pm    
Reply with quote

I use the entry-level Shure SE 215's with memory foam tips. Not fancy, but works great for me! I also use a personal mixer from posseaudio.com that makes getting a good mix much easier bc I can control my own vocal and instrument level, plus it has built in room mics.
_________________
http://pedalsteelpodcast.wordpress.com
View user's profile Send private message Send e-mail Visit poster's website

Dyke Corson

 

From:
Fairmount, IL USA
Post  Posted 19 Sep 2017 7:00 pm    
Reply with quote

Westone Custom Fit triple drivers (about 10 years old) still sound great. Prior to these I used their UM dual drivers.
View user's profile Send private message Send e-mail Visit poster's website

Mitchell Smithey


From:
Dallas, USA
Post  Posted 19 Sep 2017 7:31 pm    
Reply with quote

The 535 is a fine set.
View user's profile Send private message Send e-mail

Paul Sutherland

 

From:
Placerville, California
Post  Posted 19 Sep 2017 11:36 pm    
Reply with quote

I guess I'm jaded. I played a few years back at the Mickey Gilley club in Reno/Sparks, Nv. They insisted that everyone play direct and handed me a brand new set of Shure ear pieces. I don't know what model they were, but they were supposedly a step up from other Shures. I couldn't keep them in my ears. They were constantly coming loose so all I heard was treble. It was an awful gig.

Shortly after that gig, I saw a special from 1964 Ears, a small company from Portland, Oregon. I paid an audiologist to take molds of my ears and had a set of monitors made by 1964 Ears, for less than these Shures you guys are talking about. I also had a set of custom molded Westone ear plugs made for loud gig where I don't use the IEMs. Both the 1964s and the Westones fit very well and serve their purposes.

That was money well spent.
_________________
It don't mean a thing if it ain't got that swing.
View user's profile Send private message Send e-mail

Karen Sarkisian


From:
Boston, MA, USA
Post  Posted 20 Sep 2017 7:42 am    
Reply with quote

I ordered the 535 and will try them on a gig friday night. I will also most likely get the custom molds for my ears at some point. thanks everyone for responding.
_________________
Emmons PP, Mullen G2 and Discovery
View user's profile Send private message Send e-mail Visit poster's website

Jim Sliff


From:
Lawndale California, USA
Post  Posted 20 Sep 2017 11:42 am    
Reply with quote

Quote:
I couldn't keep them in my ears. They were constantly coming loose so all I heard was treble. It was an awful gig.


All the better Shure in-ear monitors...even wired versions...fit fine, but take some time to adjust to the user's ears. It usually takes me about 10-15 minutes to properly fit them for both security and good sound.

I know others that could not just "put them on" and play either. It also helps to reads the instructions - there are quirks to the Shures that aren't obvious.

FWIW I've always used them with real amps in place of floor monitors. The big advantage - other than feedback reduction and stage volume control - is that with good systems each player has control over their own monitor mix. In those situations I eventually preferred them to floor monitors by far.

I've only played in a "forced direct" system for one day. The entire house band...me included...quit. That ended the "no amps" policy in about 15 minutes.
_________________
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
View user's profile Send private message Send e-mail

Dan Klotz


From:
Houston, Texas
Post  Posted 26 Sep 2017 11:45 pm    
Reply with quote

I went into the ear monitor thing kicking and screaming. I was still pretty new at steel and it took some getting used to. Now, I love it. We have an X32 board with these personal Monitor mixer boxes so I can reach over and turn a knob to get my mix exactly how I want it. I don't have ear fatigue or "volume headaches" at the end of the gig.

The guys in my band all have custom molded Ultimate Ears so did the same. They were very expensive. They do sound great. However, I have several friends that bought some buds off amazon for $40 and they say they sound great. Probably not as good... But good enough. Lol
_________________
2- Rittenberry D10's
Quilter Steelaire. Nashville 400. Session 500
View user's profile Send private message Send e-mail

Robert Jones


From:
Branson, Missouri
Post  Posted 5 Oct 2017 3:14 pm    
Reply with quote

I have been using inear's for a good many years now. I bought and still have the Shure PSM400's. I went to the molded ultimate ears with dual drivers and am very pleased with them. It's already been said but I'll say it as well. It takes some getting use to. I'll quote my drummer when he told me that once I got use to them I'd kick the floor monitor off the stage. I must say that he was right. It takes a while to get a good monitor mix but once you get the mix right I think you will be happy with them. Good luck with your choice.
_________________
Mullen Royal Precision D10 Red Lacquer Pearl inlay 8&8
"Life is too short for bad tone."
https://mullenguitars.com/
http://www.bjsbars.com/
View user's profile Send private message Send e-mail

Darvin Willhoite


From:
Roxton, Tx. USA
Post  Posted 5 Oct 2017 6:37 pm    
Reply with quote

I've used in-ears for about 15 years in church bands, I have a set of custom molded, dual driver Ultimate Ears, but they got so old the tips disintegrated. Small Shure tips work after a fashion but they don't stay on very well. I bought a pair of Shure 535's a year or so ago and really like them too, although they don't have as much output level as the UE's. I was in one band for about 17 years, and 7 or 8 years of that time we had 16 channel Aviom personal mixers which allowed us to set our own mixes. We also had ambient mics in the auditorium which could be mixed in to lessen the isolated feeling. This system worked very well. I've pretty much quit playing now but still have all of my "stuff" in case I want to go back to it some day.
_________________
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
View user's profile Send private message Send e-mail

Patrick Huey


From:
Nacogdoches, Texas, USA
Post  Posted 7 Oct 2017 7:50 am    
Reply with quote

Can any of you guys recommend a good multi channel mini mixer for use with in ear monitors?
_________________
Pre RP Mullen D10 8/7, Zum 3/4, Carter S-10 3/4, previous Cougar SD-10 3/4 & GFI S-10 3/4, Fender Steel King, 2 Peavey Session 500's, Peavey Nashville 400, Boss DD-3, Profex-II, Hilton Digital Sustain, '88 Les Paul Custom,Epiphone MBIBG J-45, Fender Strat & Tele's, Takamine acoustics, Marshall amps, Boss effects, Ibanez Tube Screamer, and it all started with an old cranky worn out Kay acoustic you could slide a Mack truck between the strings and fretboard on!!
View user's profile Send private message Send e-mail

Patrick Huey


From:
Nacogdoches, Texas, USA
Post  Posted 7 Oct 2017 7:51 am    
Reply with quote

Can any of you guys recommend a good multi channel mini mixer for use with in ear monitors?
_________________
Pre RP Mullen D10 8/7, Zum 3/4, Carter S-10 3/4, previous Cougar SD-10 3/4 & GFI S-10 3/4, Fender Steel King, 2 Peavey Session 500's, Peavey Nashville 400, Boss DD-3, Profex-II, Hilton Digital Sustain, '88 Les Paul Custom,Epiphone MBIBG J-45, Fender Strat & Tele's, Takamine acoustics, Marshall amps, Boss effects, Ibanez Tube Screamer, and it all started with an old cranky worn out Kay acoustic you could slide a Mack truck between the strings and fretboard on!!
View user's profile Send private message Send e-mail

Ruth Iseli-Dahler


From:
Switzerland
Post  Posted 8 Oct 2017 12:44 pm    
Reply with quote

I used the shure 425 for about 60 gigs so far. They sound fine but inear mix is never the same experience like stage mix, even with ambience mic added. We create our own monitor mix on the IPad using the X32-Q Behringer App.
The disadvantage using inears: -communication on stage is more difficult. -When I laugh, they drop off my ears a Little Smile . When switching from Steel to Dobro and back there is a danger to pull them out unwillingly.... so I think more important than buying the very best pairs of inear is the state of beeing prepared for these Kind of small problems. I would not want to play without anyway!
_________________
Mullen Pre-RP D10, Emmons D10, Mullen G2 SD10, Dobros
View user's profile Send private message Send e-mail Visit poster's website

Karen Sarkisian


From:
Boston, MA, USA
Post  Posted 9 Oct 2017 3:56 am    
Reply with quote

Patrick Huey wrote:
Can any of you guys recommend a good multi channel mini mixer for use with in ear monitors?


My bass player is recommending we all get these

BEHRINGER POWERPLAY P16-M https://www.amazon.com/dp/B005EHINSK/ref=cm_sw_r_cp_tai_Po22zbJED269H
_________________
Emmons PP, Mullen G2 and Discovery
View user's profile Send private message Send e-mail Visit poster's website

Ronald Sikes


From:
Corsicana, Tx
Post  Posted 9 Oct 2017 5:20 am    
Reply with quote

Karen, That's exactly what we are using. Works really well. Lots of good tutorials on you tube on this.
_________________
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
View user's profile Send private message Send e-mail

Jonathan Mitguard


From:
San Rafael, California, USA
Post  Posted 30 Oct 2017 9:34 am    
Reply with quote

I too have been using the Shure SE215. Pretty darn inexpensive and it has worked well with a very loud band. It is odd to be sort of isolated in that you can't hear your band mates talking really. Also I find it is really dependent on the sound guy. if they aren't the sort to pay attention I don't go in ear.
_________________
Mullen and Williams SU12, Owens Square neck dobro. Amps evolving Princeton II reverb w/ eminence Double T 12"
View user's profile Send private message Send e-mail


All times are GMT - 8 Hours
Jump to:  

Our Online Catalog
Strings, CDs, instruction,
steel guitars & accessories

www.SteelGuitarShopper.com

Please review our Forum Rules and Policies

Steel Guitar Forum LLC
PO Box 237
Mount Horeb, WI 53572 USA


Click Here to Send a Donation

Email admin@steelguitarforum.com for technical support.


BIAB Styles
Ray Price Shuffles for
Band-in-a-Box

by Jim Baron
HTTP