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Post new topic Question about extended tuning for D12 push-pull.
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Author Topic:  Question about extended tuning for D12 push-pull.
Eric Philippsen


From:
Central Florida USA
Post  Posted 24 Jul 2017 3:51 am    
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I have a D12 Emmons that's sat in its case since I got it many, many years ago. As you can guess, it weighs a ton and that's why I've never played it. But I'm thinking of pulling it out, cleaning it up and restringing it.

My question(s) is: For extended tunings, what are the bottom two strings supposed to be tuned to on each of the necks? And what gauges would those strings or sets be?

Thanks.
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Ian Rae


From:
Redditch, England
Post  Posted 24 Jul 2017 6:02 am    
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D12s aren't common enough for there to be a "correct" answer, so do what suits you.
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Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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Herb Steiner

 

From:
Spicewood TX 78669
Post  Posted 24 Jul 2017 7:18 am    
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If I had such a guitar, the top neck would be the extended E9. An E9/B6 tuning would be redundant since the back neck would be a 12 string C6. Strings 11 and 12 would be a G# and E, raising the G# to A with p.B. I'd have s.11 be a .042 and s.12 be a .050 guage.

On C6 the extra strings would be re-entrant on top. My tuning would probably be low-to-high C F A C E G A C E G B D. The tuning could actually be called a C6 Diatonic, similar to the E9. The guages would be:

s.1 .017
s.2 .018
s.3 .012
s.4 .014 or .015

s.5 through s.12 the standard C6 guages.

I would raise s.3 a half-tone G-G# with p.5. I also would raise s.1 D-D# with a vertical lever.
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Last edited by Herb Steiner on 24 Jul 2017 7:48 am; edited 1 time in total
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Ian Rae


From:
Redditch, England
Post  Posted 24 Jul 2017 7:37 am    
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If I owned such a beast I would in fact do exactly as Herb suggests.
_________________
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 24 Jul 2017 7:54 am    
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Herb Steiner wrote:
the top neck would be the extended E9.


I agree. But then I think ext E9 is enough by itself if you load it up with enough pedals etc.


Herb Steiner wrote:
The tuning could actually be called a C6 Diatonic


Yes, with no pedals the top 6 strings are 6 notes of the C scale with no gaps EDCBAG



Herb Steiner wrote:

On C6 the extra strings would be re-entrant on top. My tuning would probably be low-to-high C F A C E G A C E G B D.


That's what Rick Schmidt did when he recently went to 12 strings on C6, and he found the B string extremely useful right away. So if you're accustomed to the standard C6 of 50 years ago, this seems ideal.

My approach was to add 2 D strings (3 and 8 ), non-re-entrant, since I was not accustomed to any C6 and didn't have to unlearn anything.
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Jim Smith


From:
Midlothian, TX, USA
Post  Posted 24 Jul 2017 8:52 am    
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On my D-12's I have always had the low G# and E on the bottom of E9 and the first two on C6 are F and D. So strings 1-6 are FDGECA. That simulates the chromatic strings on the top of E9. It works for me, but I may try the high D and B someday just to see what I'm missing.
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John Russell

 

From:
Austin, Texas
Post  Posted 24 Jul 2017 9:35 am    
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I'd strip the rear neck of strings and hardware and replace with a pad. Do you really want to have to change 24 strings every few weeks? Shocked

How much do you want for that beast? Razz
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