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Topic: Early Emmons Copedent |
Anthony Locke
From:
Texas, USA
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Posted 29 Mar 2017 5:58 am |
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Hello, does anyone happen to know what tuning and copedent Emmons used on "Half a Mind?" Was he still using the Issacs E7? According to his website he recorded the tune on a Fender 1000 and it was the first time he split the pedals (B and G# no longer on same pedal.) Some of the chords he gets on his solo sound like the E7 tuning to my ears. Any info greatly appreciated!
https://youtu.be/47xX9NDpxJo |
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Mike Neer
From:
NJ
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Glenn Suchan
From:
Austin, Texas
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Posted 29 Mar 2017 9:10 am
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Here's a link to a live version with the other Buddy (Charleton) playing the E9th tuning, pretty much note for note what the Big E played on record. I concur, with Mike, it's the E9th tuning. After all the E9th tuning is really the E7th tuning with the major 7th and 9th intervals added.
https://www.youtube.com/watch?v=3KqB188pYiE
Keep on pickin'!
Glenn
_________________
Steelin' for Jesus |
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Mike Sweeney
From:
Nashville,TN,USA
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Posted 29 Mar 2017 10:38 am
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It was the E9th tuning. Also the first recording Buddy did after he "split" the pedals, so, no on the Issacs set up.
One more thing, the F# & D# strings were not in the mix at that time. That came along in 1962. Another innovation of Buddy's. The first record those were used on was "You Took Her Off My Hands" by Ray Price.
_________________
Zumsteel steel guitars, Telonics and Peavey amplifiers, GHS strings. |
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Mike Neer
From:
NJ
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Greg Cutshaw
From:
Corry, PA, USA
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Posted 29 Mar 2017 11:05 am
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| 8 string E9th tuning with at least one bar slant. Try playing a SESSION for Ray Price with the 2 high chromatic strings on the bottom! |
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Ian Worley
From:
Sacramento, CA
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Anthony Locke
From:
Texas, USA
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Ian Worley
From:
Sacramento, CA
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Posted 30 Mar 2017 1:30 pm
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| The quip in the link you posted refers to using the 1000 to play bass for Ray Price while hitching a ride back to Nashville, not about recording Half a Mind with it. Cool anecdote though. |
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J Fletcher
From:
London,Ont,Canada
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Posted 4 Mar 2022 2:30 pm
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Reviving an old thread here . I have been listening to Ernest Tubb's "Half a Mind" lately , and working out the steel intro and solo . So , I wondered if Emmons was playing , low to high , E G# B D F# G# B E , at this time . Sounds like it , as there doesn't seem to be an E between the D and the F# , at least that I can hear . Or a high G# for that matter .
When did the E9 tuning add the G# and the E between the D and the F# ? Just curious .
Jerry |
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