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Post new topic Love Always, Patsy Cline
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Author Topic:  Love Always, Patsy Cline
George Seymour


From:
Notown, Vermont, USA
Post  Posted 27 Jun 2015 6:34 am    
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65' Bolt on Emmons! Man what tone for the Patsy Show, a guitar I can be buried with!


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Old Emmons D-10's & Wrap Resound 65, Standel amps!
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chris ivey


From:
california (deceased)
Post  Posted 27 Jun 2015 2:53 pm    
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a recording is worth a thousand pictures.
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George Seymour


From:
Notown, Vermont, USA
Post  Posted 28 Jun 2015 5:36 am    
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watch and listen away....

https://www.facebook.com/DarkHorseVT?fref=ts
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Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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Don R Brown


From:
Rochester, New York, USA
Post  Posted 28 Jun 2015 7:22 am    
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So where's the 65 foot Emmons? And how the heck do you play it? Wink
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Barry Blackwood


Post  Posted 28 Jun 2015 8:05 am    
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Quote:
So where's the 65 foot Emmons? And how the heck do you play it?


Laughing Laughing
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George Seymour


From:
Notown, Vermont, USA
Post  Posted 28 Jun 2015 9:22 am    
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Barry Blackwood wrote:
Quote:
So where's the 65 foot Emmons? And how the heck do you play it?


Laughing Laughing


Good one!
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Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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chris ivey


From:
california (deceased)
Post  Posted 28 Jun 2015 9:38 am    
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and the play is called 'Always, Patsy Cline' .
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George Seymour


From:
Notown, Vermont, USA
Post  Posted 28 Jun 2015 9:44 am    
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chris ivey wrote:
and the play is called 'Always, Patsy Cline' .
y


Yup it is, heard the the phrase in the play so much, that was the actual signature of the letters to Louise. Really enjoyed the show.
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Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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Barry Blackwood


Post  Posted 28 Jun 2015 11:52 am    
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Quote:
So where's the 65 foot Emmons? And how the heck do you play it?

George, credit where credit is due, Don R Brown was the original author of that remark.

Quote:
and the play is called 'Always, Patsy Cline' .

Thank you chris, for that reminder..
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Scott Truax

 

From:
Florida
Post  Posted 28 Jun 2015 12:01 pm     THAT 65 Bolt On Emmons of yours..
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George,

When Del and I saw you at Sweet Melissa's, for "Honkey Tonk Happy-Hour", we couldn't believe
the tone of your guitar. I can imagine how sweet
it sounded in the setting of the Patsy Show.

It was nice to see you again after all these years.

Be well !!

Scott
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George Seymour


From:
Notown, Vermont, USA
Post  Posted 28 Jun 2015 2:57 pm    
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Scott,
Great to see you and Del! Thanks for taking time out of you hectic schedule to come and see us. We sure have some nice steel adventure conversations! Hope to see more of you, got to visit sometime!

Barry, I just finished the "Always, Patsy Cline" show and was just very satisfied with the tonal qualities at a relatively low volume, was just posting out of a sense of camaraderie and to mention how wonderful these old push pulls are. Great show to play music behind some of the songs by Patsy Cline, in my opinion the finest Female vocalist ever in country music, not to be matched today. I don't profess to be the greatest player around, but I can assure you I am no beginner and have a very particular ear for what I desire. This old Emmons can handle any playing environment I throw at it.
Well enough for now,
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Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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Don R Brown


From:
Rochester, New York, USA
Post  Posted 28 Jun 2015 3:30 pm    
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George Seymour wrote:
Good one!


Intended in good fun, George! I knew exactly what you meant but could not resist! Laughing
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Barry Blackwood


Post  Posted 28 Jun 2015 4:53 pm    
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George, I fully agree with you about Patsy. Talent like hers is rare and getting rarer.. I sure miss her singing. Sad
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Stephen Gambrell

 

From:
Over there
Post  Posted 29 Jun 2015 10:02 pm    
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What was your "name," George? I was Stevie Bob, when I did the show. Played a black push-pull, too!
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