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Topic: Open E (or E7) tuning close to C6 on 6 string? |
Stefan Robertson
From: Hertfordshire, UK
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Posted 18 Oct 2017 7:35 am
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David M Brown wrote: |
Stefan Robertson wrote: |
So why don't we use all of their knowledge plus the necessity and old recordings to analyse and find a truly universal tuning.
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Stefan , for the first couple decades of the steel guitar's history there was a universal tuning - A low bass!
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A low bass isn't universal as it lacks tons of inversions for tons of chords. Right? _________________ Stefan
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com
"Give it up for The Lap Steel Guitarist" |
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Jack Hanson
From: San Luis Valley, USA
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Posted 18 Oct 2017 8:00 am
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Doug Beaumier wrote: |
Jim, the E9 shown below is a good tuning, especially if you already play E9 pedal steel guitar. It's the same as strings 4 through 9 of PSG.
D E F# G# B E |
How do you get a 6th chord in that tuning? By pulling the third string up a half-step behind the bar? |
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Doug Beaumier
From: Northampton, MA
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David M Brown
From: California, USA
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Posted 18 Oct 2017 8:51 am
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Stefan Robertson wrote: |
So yes I think it could play Sol Hoopi/Billy hew Len or anything else as at the end of the day if the notes are there why not. That's the crucial point.
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Plus most players play triads or less making it even more accessible if we find a universal tuning.
So my thinking is. Why can't you play ANY genre on a universal pedal steel?
Why can't you on a Universal Lap Steel Guitar seriously?
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I do take the concept seriously.
For me, as a player of a number of stringed instruments, the nature of tunings, where the open strings are, how you get to those chords, etc. make a difference in terms of the same notes, chords, etc. sounding different on each instrument.
Where it shows up is phrasing, at least to me. more.....
Stefan Robertson wrote: |
David M Brown wrote: |
Stefan , for the first couple decades of the steel guitar's history there was a universal tuning - A low bass!
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A low bass isn't universal as it lacks tons of inversions for tons of chords. Right? |
I think that was why it was supplanted by A high bass, C#m, E7, and finally C6 and such.
BUT
Those guys tried to play all sorts of stuff on that early tuning and got away with a lot...but remember, bop had not been invented yet!
I wonder how much the development of jazz from early forms through swing to bop influenced steel guitar tunings over the years? |
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