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Topic: Explain this Emmons move |
Drew Howard
From: 48854
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Posted 23 May 2017 7:56 am
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https://www.youtube.com/watch?v=wOiizSMGFDk&t=1296s
@ 21:30 - I don't know the name of this song.
But at the top, @21:33, when the song goes from 1 to 2 chord, E plays something that is boggling my mind.
Looks like it involves the vertical.
Anyone?
EDIT: there's a quick 5 before the 2.
Last edited by Drew Howard on 23 May 2017 8:45 am; edited 1 time in total |
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Lane Gray
From: Topeka, KS
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Posted 23 May 2017 8:35 am
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No vertical. Notice he went up two frets from the no pedal position, the cool thing you're hearing is strings 9,6,5 and possibly 7,so that's either a dom 7 or a 9th chord, then he hits the A pedal, squeezing the 5 tone to 6, turning it from a 7th (or 9th) to a 13th chord.
It might be Heart Over Mind _________________ 2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects |
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Jerry Overstreet
From: Louisville Ky
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Posted 23 May 2017 9:26 am
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The song is Woman Go On Home from the Goin' Out Swingin' CD with Ray Pennington.
There was a course and rhythm track for part of this recording, but nothing for this tune. |
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Ian Rae
From: Redditch, England
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Posted 23 May 2017 9:36 am
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Drew Howard wrote: |
Looks like it involves the vertical. |
Lane Gray wrote: |
No vertical. |
In the second half of the second complete measure I hear a VIaug7 and see his left thigh move up and down again. Then the II13.
What would the vertical do on that guitar? _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Drew Howard
From: 48854
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Posted 23 May 2017 9:53 am
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Would the vertical lower the B's? |
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Lane Gray
From: Topeka, KS
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Posted 23 May 2017 10:01 am
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I think so. And a split with LKV and the A pedal, along with the 9th string, gives you an aug7 _________________ 2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects |
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Greg Cutshaw
From: Corry, PA, USA
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Posted 23 May 2017 10:06 am
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I thinks it's the B to Bb knee lever and the same change he does in the Nameless Shuffle. I used it also in my version here at about :58 sec into the song:
http://www.gregcutshaw.com/Samples/Nameless%20Shuffle.mp3
I have this tabbed out somewhere in a Forum post and it's a pretty unique use for this knee lever. |
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James Flaherty
From: California, USA
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Posted 23 May 2017 2:55 pm
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He likes to use the B to B flat lever as a quick color/passing tone quite a bit. |
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John Alexander
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Posted 23 May 2017 4:25 pm
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Ian Rae wrote: |
I hear a VIaug7 and see his left thigh move up and down again. Then the II13. |
Yes. Up three frets (not two) from the no-pedal position with the 5th string lowered a half step gives the VIaug7 on strings 5,6,7, and you can clearly see him move the bar down a fret to get the II13. The vertical lowers the 5th string for the VIaug7 (no A pedal split - his left foot is in the air then), producing the root of the chord on that string. |
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