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Topic: John Hughey Effects, Im Not Lisa, Lind On My Mind |
Brian Henry
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Billy McCombs
From: Bakersfield California, USA
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Posted 3 May 2017 12:46 pm
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Emmons Push Pull _________________ 78 Emmons PP,Great tone.82 Emmons SKH #56 |
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Bill Moran
From: Virginia, USA
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Posted 3 May 2017 2:07 pm
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I'm sure that is all studio efx. John would of laid it down dry . _________________ Bill |
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Jack Strayhorn
From: Winston-Salem, NC
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Posted 3 May 2017 5:00 pm
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Multiple tracks. |
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Brian Henry
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Posted 3 May 2017 5:06 pm
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Billy McCombs wrote: |
Emmons Push Pull |
I suppose he had twin amps and a Goodrich volume pedal also😜 |
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Greg Cutshaw
From: Corry, PA, USA
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Posted 3 May 2017 5:18 pm
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Multiple takes blended together or at times offset from each other and maybe some flanger. |
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James Kerr
From: Scotland, UK
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Posted 4 May 2017 10:37 am
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Yep, double tracking, many players did that in the Studio.
Here is me single tracking on "I'm not Lisa".
https://www.youtube.com/watch?v=SJXXgKrkH98
James.
Linda wanted to sing this one, some unfinished business I think. |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 4 May 2017 2:13 pm
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Another vote for double tracking. Or at least using a doubler. I did a double tracked song with a producer in Nashville that worked some with Donny Garrish. When I got home, I used a doubler on stage to get the effect. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 54 years and still counting. |
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Brian Henry
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Posted 4 May 2017 5:32 pm
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Billy McCombs wrote: |
Emmons Push Pull |
I suppose he had twin amps and a Goodrich volume pedal also😜 |
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Ron Funk
From: Ballwin, Missouri
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Posted 4 May 2017 6:07 pm
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Decades ago, I saw John backing Conway during CMA Fest at the large enclosed sports stadium in Nashville.
After their set, John was kind enough to let me peer into his rack. He had two, yes two, Alesis Quadraverb effects units running into two on-stage amplifiers.
Each Quadraverb had slightly different settings - apparently to get 'that sound' |
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Brian Henry
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Posted 5 May 2017 8:54 am
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Thank you guys, I knew it wasn't merely an Emmons push pull! |
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Steven Welborn
From: Ojai,CA USA
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Posted 5 May 2017 11:26 am
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B Emmons seem to use a lot of processing in much of his later recordings too, i.e. Willie and C Potter 'Six Hours at Pedernales' cd. I assumed it was chorus effect set on slow. Anyone know for sure? |
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John Billings
From: Ohio, USA
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Posted 5 May 2017 4:39 pm
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My band opened for Loretta Lynn at Ponderosa Park in Northern Ohio. I haul my gear into the backstage lounge, and there's John sitting there. I had to play in front of my hero? I was terrified! John put me at ease in about 10 seconds. What a wonderful guy! And, Man! He was really interested in my Kline Uni 12. I think he got one shortly thereafter. _________________ Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
Last edited by John Billings on 5 May 2017 4:44 pm; edited 1 time in total |
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John Billings
From: Ohio, USA
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Posted 5 May 2017 4:42 pm
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James K! Really nice! Sounds wonderful on that old axe. I played in F on my Kline to get the low roots. _________________ Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps |
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