| Author |
Topic: Mr Spock's Copedant? |
John Swain
From:
Winchester, Va
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Posted 9 Nov 2016 9:06 am |
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This is the setup I've been using for three years now. I like to think it's "logical" for both necks: LKL raises root;RKL lowers root;LKV lowers third;RKR gives Dom7; RKR on E9 is where it doesn't adversely affect C6 neck, and on C6 neck minors off str9, +5 off str10. The front neck is what Mike Johnson uses(much better than I do!) and the back neck is a Buck Reid/Doug Jernigan hybrid. Like all setups it has some compromises and YMMV. Food for thought. JS
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David Gertschen
From:
Phoenix, Arizona
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Posted 9 Nov 2016 10:35 am
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| There are some good ideas there, John. I like how the sixth string lower to F# has its own lever. |
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Greg Cutshaw
From:
Corry, PA, USA
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Posted 9 Nov 2016 10:38 am
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Fascinating. Steel guitar, the final frontier. The copedants of the many outweigh the needs of the few.
I've had all those changes on and off for a while now. You're right that YMMV based on who's playing the guitar. When I first saw Jim Murphy play up close with Hank Thompson I was of course amazed. He played things with his setup I'd never heard before. After he showed me that his copedant setup at the time was almost identical to mine, I then had to believe it must be his amp or perhaps his pickups or some other secret. I do believe that the E9th 7th string full tone raise is sort of a secret and very powerful. Split tuning or half pedaling was another secret that many pros used to great effect. Splits greatly expand what can be done on the E9th tuning. |
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b0b
From:
Cloverdale, CA, USA
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Ron Hogan
From:
Nashville, TN, usa
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Posted 28 Jan 2017 9:41 pm
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| I like what your 4th pedal is doing on C6th. Instead of just a 4th string raise. |
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John Swain
From:
Winchester, Va
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Posted 29 Jan 2017 3:07 pm
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| Ron, find the YouTube of Buck Reid playing "Song for Kendra" or an "original song". He uses this pedal extensively. |
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Rich Upright
From:
Florida, USA
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Posted 29 Jan 2017 3:42 pm
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Live long & prosper, John!
_________________
A couple D-10s,some vintage guitars & amps, & lotsa junk in the gig bag. |
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Roger Rettig
From:
Naples, FL
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Posted 29 Jan 2017 4:34 pm
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Greg: I like raising the 7th a whole step too.
Interesting, John, but I couldn't live without lowering my B to Bb on a k/l so I can use it with pedals.
_________________
Roger Rettig - Emmons D10s, Quilter TT-12, B-bender Teles and old Martins.
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Ricky Davis
From:
Bertram, Texas USA
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Posted 29 Jan 2017 8:43 pm
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this was my copedant on my blue darlin fulawka I had years ago.
| Tab: |
P1 P2 P3 LKL1 LKL2 LKV LKR RKL RKR
(E9th)
(012) F# G# G
(015) D# E D D/C#
(012) G# A
(014) E F# F F# Eb
(018) B C# C#
(022w)G# A F#
(026) F# E
(030) E F# F D Eb
(034) D C#
(038) B C#
(Tunable splits on 4th;6th;8th strings)
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| Tab: |
(C6th) P4 P5 P6 P7 P8 LKL LKV LKR RKL RKR
(012) G F# G# F
(014) E F D
(017) C D B
(020) A B B Ab Bb
(026w)G F# F
(030) E Eb D
(036) C C#
(042) A B Ab Bb
(056) F F# E Eb
(070) C D A
(Tunable splits on 2nd;3rd strings)
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_________________
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com |
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John Booth
From:
Columbus Ohio, USA
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Posted 30 Jan 2017 5:12 am
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| Greg Cutshaw wrote: |
Fascinating. Steel guitar, the final frontier. The copedants of the many outweigh the needs of the few.
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... Or the One
_________________
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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Paddy Long
From:
Christchurch, New Zealand
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Posted 30 Jan 2017 5:25 pm
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Yes I like the logic of having the E-F's (E9th) and the C-C# (C6th) levers both in the LKL position - helps with the muscle memory and also the E-Eb E9th and C-B C6th on RKL !!
very similar to my setup on both necks, albiet with a few different ideas here and there :-} very practical John
_________________
14'Zumsteel Hybrid D10 9+9
08'Zumsteel Hybrid D10 9+9
94' Franklin Stereo D10 9+8
Telonics, Peterson, Steelers Choice, Benado, Lexicon, Red Dirt Cases. |
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John Swain
From:
Winchester, Va
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Posted 31 Jan 2017 6:48 am
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| I feel another advantage is having 4 pedals and 2 kls where most non-tricked out D-10s have them! Sitting in is less of a challenge. |
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