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Topic: Alternate Dobro Tuning - Same Gauges |
b0b
From:
Cloverdale, CA, USA
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Posted 24 Jun 2012 9:54 am |
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First of all, I'm not a bluegrass musician, so I don't have to duplicate any of the standard tunes. I just got my first squareneck resonator guitar (a cheap POS) and strung it up with John Pearse strings.
After about 10 minutes of stumbling around in the G tuning, I decided I needed something a little more familiar to me. My solution was to lower strings 2 and 3 to give me a D major chord on top. Since I play D6th on pedal steel, this works well for me.
Here's the tuning: G B D F# A D. Does anyone else here do this?
My first lap steel tuning was A C# E G# B E - same intervals - so this feels like going home.
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b0b
From:
Cloverdale, CA, USA
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John Mulligan
From:
Ontario, Canada
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Posted 26 Jun 2012 6:03 am
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| I assume that's low to high. That looks like a nice tuning. I spent years in open D on my reso this looks familiar but with more voice, if you know what I mean. I'll have to try it out! |
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Brad Bechtel
From:
San Francisco, CA
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Posted 26 Jun 2012 6:46 am
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For some reason I didn't see this yesterday, or else I would have responded. That is a fascinating variation, b0b. I will have to try tuning to that and see what I can get out of it. I'm used to playing in open D tuning but I've been mostly playing open G tuning for the past year or so. This could be interesting...
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Bradβs Page of Steel
A web site devoted to acoustic & electric lap steel guitars |
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b0b
From:
Cloverdale, CA, USA
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Posted 26 Jun 2012 7:01 am
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I like that it has a minor chord (Bm) on strings 5, 4, 3. Also the GM7 is surprising to hear from a dobro.
_________________
-πππ- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video |
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L. Bogue Sandberg
From:
Chassell, Michigan, USA
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Posted 26 Jun 2012 7:07 am
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b0b,
Although I play resonator exclusively, I'm not a true bluegrass musician either. In fact, my band mates debate whether I'm a musician at all. I've fooled with G9, dropping the upper B to A, and straight D, dropping both B's and both G's, but your idea is new to me. I'll certainly try it out. Trouble is, I have too much to learn and too little time with the tunings I already "know." -- Bogue |
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Mike Neer
From:
NJ
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Posted 26 Jun 2012 7:08 am
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b0b, try raising the second string to B. If you are familiar at all with the C#min tuning or even the E tuning, like you said, it should make some sense to you.
You can get lots of nice dominant sounds with this tuning--which on strings 1-4 is the same as Sol Hoopii's tuning, only 1 step lower.
At that point you will have a GMaj7 tuning, and you are only 1/2 step away on the 3rd string from a G tuning. Nice for minor chords, too, with a bass player, of course.
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http://mikeneer.com |
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Jouni Karvonen
From:
Helsinki, Finland
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Mark Eaton
From:
Sonoma County in The Great State Of Northern California
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Posted 26 Jun 2012 9:06 am
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I've ran across one or two guys who have used the tuning b0b is trying, but I like Mike's suggestion of simply dropping the third string down to F# from the usual GBDGBD dobro tuning. And the demo from Stacy was great.
What's cool about a six string instrument like dobro or six string lap steel is how one can learn a popular tuning "backwards and forwards" like GBDGBD and by altering only one string now the instrument has a completely different "voice," but you're already comfortable with the "home base" tuning like GBDGBD. Or you have a G6th-oriented tuning by changing the the 4th string from D to E or in the case of Greg Booth, he tunes the sixth string down from G to E.
I like Open D a lot as well, but to me the strength of that tuning is the bottom three strings, as in the DAD portion - it's like a built in acoustic power chord.
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Mark |
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b0b
From:
Cloverdale, CA, USA
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Mike Neer
From:
NJ
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rodger_mcbride
From:
Minnesota
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Posted 26 Jun 2012 12:49 pm
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Here are some interesting variations I've been fooling with; all high to low, trying to stay within 2 half tones of the same gauges as high G. Low base G (Taro Patch) is also fun and may be a favorite. For a combination tuning A11 is great (A triad on the bottom 3 strings and G triad on the top strings, but requires re-stringing.)
Gm
D
A#
G
D
C
G
B (with a 2 on top)
C#
B
F#
D#
B
F#
D6 (inverted)
D
B
F#
D
A
F#
Low base G
D
B
G
D
G
D
rodger |
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D Schubert
From:
Columbia, MO, USA
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Posted 27 Jun 2012 6:11 am
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| Noticed several things about that tuning. Must try it out soon. It's like a b***o with the scruggs tuners in the low position. The 5 highest strings make a D6. If you tune the F# back up to G, and bend the 2nd string behind the bar, you have a faux-PSG A-pedal sound. |
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Greg Gefell
From:
Upstate NY
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Posted 29 Jun 2012 6:56 pm
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I switch back and forth between standard G (GBDGBD) and open E (EBEG#BE) without changing gauges. Some of the other ones listed here look interesting though, I'll have to try them.
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https://www.facebook.com/ggefell/ |
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L. A. Wunder
From:
Lombard, Illinois, USA
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Posted 8 Jul 2012 9:40 pm
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I use the "standard" guitar tuning, but lower the top string from a "E" to a "D". It looks like this:
D
B
G
D
A
E
I don't know exactly what you would call the tuning, but the "A" gives me a 2 or "add 9" chord, and the "E" gives me a 6th. I play in church, and being able to play the "relative minor" chord in whatever key I'm in, is important. |
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Jerry Tillman
From:
Florida
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Posted 10 Jul 2012 7:37 am G tuning with 6 string down to R
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| I play the G tuning most of the time but I lower my 6th string to e and play it like an E minor 7th.You can play take 5 pretty easy with it tuned that way. |
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Jerry Tillman
From:
Florida
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Posted 10 Jul 2012 7:39 am That suppose to be an E
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| I don,t use that R tuning on my dobro. |
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Jim Sliff
From:
Lawndale California, USA
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Posted 22 Aug 2016 10:35 am
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I use "Dobro G" for bluegrass, Hawaiian and country-rock on my '42 Tricone and Wechter-Scheerhorn square necks, and D or A6 on my Dobro (every once in a while high bass A or low bass A for older Hawaiian stuff).
"Dobro G" isn't "locked in" to bluegrass - Stacy Phillips first Art of Hawaiian Steel Guitar is almost entirely in G, as many players used it or tuned up to th same inversions in A. It's so logical I've taught some guys basics on the phone, plus there's so much free material out there (not just bluegrass) it is very "accessible".
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No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
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Andy Volk
From:
Boston, MA
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Posted 22 Aug 2016 11:08 am
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I use open D as my home base. With a tweak of one string I can get Dmaj7, D7, Dmin, D6th, DADGAD, El McMeen's DADGAD variation, plus regular G tuning - which I usually tune to Greg Booth's low E version -n making it Emin7th tuning. Greg Leisz used to us an A major/E major combo similar to yours, b0b.
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Steel Guitar Books! Website: www.volkmediabooks.com |
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Peter Jacobs
From:
Northern Virginia
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Posted 22 Aug 2016 11:18 am
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On my reso, I use "low bass" G tuning (D G D G B D low to high), so I can get the aforementioned power chord on the low strings. Plus, I was always skipping the low B string in "standard" Dobro tuning.
One of these days I'll spend some serious time in D tuning...
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Peter
---------
www.splinterville.com
YouTube: https://www.youtube.com/@splinterville6278/videos |
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b0b
From:
Cloverdale, CA, USA
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Andy Volk
From:
Boston, MA
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Posted 22 Aug 2016 1:07 pm
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Just realized it was a 2012 post!
_________________
Steel Guitar Books! Website: www.volkmediabooks.com |
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Peter Jacobs
From:
Northern Virginia
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I thought that all of the tunings were known by now. 
