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Topic: What change do you have on string 7(F#) |
Jeff Metz Jr.
From:
York, Pennsylvania, USA
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Posted 22 Jul 2016 1:48 pm |
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I find myself wanting to have a change on my 7th string. What do you guys use? I also find that having the franklin pedal Lower 5,6,and 10 a whole tone doesn't make as much sense to have my Vertical lower my Bs. what do you have on your guitar? Thanks
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Mullen G2 SD10 , Lil Izzy Buffer, Goodrich 120 volume pedal, Boss DD-7, Peterson Strobo flip, Peavey Nashville 112
Last edited by Jeff Metz Jr. on 22 Jul 2016 4:47 pm; edited 3 times in total |
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Lane Gray
From:
Topeka, KS
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Posted 22 Jul 2016 2:13 pm
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String 4 is E. LKL raises it to E#/D, LKR lowers it to D#, C pedal raises it to F# (along with raising 5 to C#).
If you mean string 7, I don't have any change on it: I get the G by lowering 6 to F# and adding the B pedal.
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2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects |
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Howard Parker
From:
Maryland
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Posted 22 Jul 2016 2:29 pm
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Did you mean LKL raise to F?
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Jeff Metz Jr.
From:
York, Pennsylvania, USA
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Posted 22 Jul 2016 2:57 pm
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Edited sorry. I meant string 7
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Mullen G2 SD10 , Lil Izzy Buffer, Goodrich 120 volume pedal, Boss DD-7, Peterson Strobo flip, Peavey Nashville 112
Last edited by Jeff Metz Jr. on 23 Jul 2016 10:44 am; edited 1 time in total |
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Howard Parker
From:
Maryland
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Posted 22 Jul 2016 2:59 pm
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Then what Lane said. Most guitars will split the B pedal raise with a knee lower.
Voila!
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Jeff Garden
From:
Center Sandwich, New Hampshire, USA
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Posted 22 Jul 2016 3:02 pm
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| I'm confused...string 6 is a G#...do you mean string 7 F#? |
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Paul Sutherland
From:
Placerville, California
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Posted 22 Jul 2016 3:04 pm
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Jeff: You should edit the title. It's easy to do.
I lower the sixth string to F# (as part of a split Franklin set-up) on my Williams. But on my Emmons Push-pull I don't have any lowers on that string. I do, however, raise the seventh from F# to G.
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It don't mean a thing if it ain't got that swing. |
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Tim Russell
From:
Pennsylvania, USA
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Posted 22 Jul 2016 4:43 pm
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Since the title has been edited to the 7th string, I suppose I need to edit my post as well, lol.
String 7 for me is raised, RKR, from F# - G. That change was on my first Sho-Bud, some 35 yrs. ago and I've always liked it, so I stuck with it. Makes for a nice scale run up lick, on pedals lick.
If I'm not mistaken, I believe it was Terry Bethel that covered a scale lick featuring this change in "Pedal Steel Guitar a Manual of Style."
Could I live without it? I suppose if I had to, but I'm so used to it now and I've built a lot of my playing style, runs, etc. using that raise, I'd kinda like to keep it. 
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Sierra Crown D-10
Last edited by Tim Russell on 24 Jul 2016 5:23 pm; edited 4 times in total |
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Dave Meis
From:
Olympic Peninsula, Washington, USA
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Posted 22 Jul 2016 7:22 pm
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7th string: F# to G is what I have. Gives a minor 3rd and a useful melody note.
Sorry..just saw your 'edit' for the 6th string..I only have the 'sus 4' there.. |
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Jack Stoner
From:
Kansas City, MO
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Posted 23 Jul 2016 2:30 am
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I raise string 7 a half tone (F# to G).
_________________
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit |
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Tony Prior
From:
Charlotte NC
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Posted 23 Jul 2016 6:00 am
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right now no pull, for years I raised 7 ..but as of late I have moved over to lowering 6. If I could get the 7 raise on another lever somewhere that works for me, maybe staggered, I would add it in a NY minute. I would put 7 raise BACK with 1 and 2 raise and put 6 lower all by it's lonesome self .
_________________
Emmons L-II , Fender Telecasters, B-Benders
Pro Tools 12 on WIN 7 !
jobless- but not homeless- now retired 9 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website |
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Dick Sexton
From:
Greenville, Ohio
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Posted 23 Jul 2016 7:27 am Raise 7
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| I raise 7... 1/2 tone along with raising 1 & 2. Lowering 6... 1/2 tone, is on my bucket list. Still looking for "a round toit". |
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b0b
From:
Cloverdale, CA, USA
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Posted 23 Jul 2016 7:40 am
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None. I use it as a bellwether to know if the guitar's tuning has drifted due to temperature changes. It's the only string with no pulls attached.
I used to raise the 7th string to G, but now I get that change on my 6th string lower to F#. It splits with the B pedal to make a G note. For a few years I had F# to G# on my 0 pedal. I think that lowering the 6th string is a better solution.
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-š¯•“š¯•†š¯•“- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video |
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Jim Robbins
From:
Ontario, Canada
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Posted 23 Jul 2016 9:16 am
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I raise it to G# with a feel stop at G. I use it a lot. It is the equivalent of the A pedal in AB position when you are playing in no pedals position. I like the pull up to the unison with the 6th string G#. It is on the same knee as the 1st & 2nd string raises.
I have the 6th string lower on a Franklin pedal which I don't use as often. Maybe I'd use it more if I had them split but I don't feel the need with the 7th string raise. |
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Jerry Overstreet
From:
Louisville Ky
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Posted 23 Jul 2016 9:21 am
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F# raise a whole tone to G#. I like pretty licks and this gets a maj7 bending it in with A&B pedals down. I use it on the same lever that lowers 2 & 9. Just have to be selective with the string choices.
It's a bonus that the G works at the existing half stop position for string 2 lowers. |
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Paddy Long
From:
Christchurch, New Zealand
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Posted 24 Jul 2016 3:38 pm
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F# to G#
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14'Zumsteel Hybrid D10 9+9
08'Zumsteel Hybrid D10 9+9
94' Franklin Stereo D10 9+8
Telonics, Peterson, Steelers Choice, Benado, Lexicon, Red Dirt Cases. |
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Ron Pruter
From:
Arizona, USA
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Posted 24 Jul 2016 4:30 pm
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I have the same as Jim Robbins and use it alot. I installed a Michael Yahl, ShoBud feel stop which is normally used on the 2nd string. It's at the L/K/R position. RP
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Emmons SKH Le Grande, '73 Fender P/J bass, Tick tack bass, Regal high strung, USA Nashville 112. |
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Johan Jansen
From:
Europe
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Posted 25 Jul 2016 2:26 pm
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Feel stop, till stop: string 1 and 7: F# to G
through stop 1 and 7: F# to G# and string 2: D# to E |
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Richard Sinkler
From:
aka: Rusty Strings -- Missoula, Montana
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Posted 26 Jul 2016 10:13 am
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Currently,both F# to G on my vertical. I'm thinking of dumping the 7th string G, although I do use it, and move that string to G# instead. I've tried a half stop on the vertical, and it just didn't work out for me. I also have a 2nd LKL lever (that is currently removed. But I could put the 7th raise to G# on. That way I could keep the G on 7.
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Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 54 years and still counting. |
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Joachim Kettner
From:
Germany
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Posted 26 Jul 2016 11:15 am
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F-sharp to G. In combination with the 8th and 6th it makes a nice R&B riff like Al Perkins used on "Six Days On The Road".
Here he plays it on the seventh fret using strings 10, 9 and 8. It sounds the same played on fret two with 8, 7 raised, and 6.
https://www.youtube.com/watch?v=sMWCxt8ABNghttps://www.youtube.com/watch?v=sMWCxt8ABNg
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Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube. |
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Ricky Davis
From:
Bertram, Texas USA
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Ken Byng
From:
Southampton, England
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Posted 27 Jul 2016 5:23 pm
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F# to G#. Gives a nice Maj7 with A&B down.
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Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E, |
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Dale Rottacker
From:
Walla Walla Washington, USA
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Earnest Bovine
From:
Los Angeles CA USA
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Posted 28 Jul 2016 8:11 am
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I have this on RKL on most of my guitars. I use the half step drop a lot.
| Tab: |
RKL
F#
D# -D,--C#
G#
E
B
G#
F# -F,--E
E
D (D),-C#
B
G#
E (E),++F#
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Howard Parker
From:
Maryland
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Posted 28 Jul 2016 8:13 am
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The OP has disappeared..
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