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Topic: National New Yorker Restoration |
Alan Brookes
From: Brummy living in Southern California
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Posted 9 Dec 2009 8:38 am
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I just bought what's left of this New Yorker on eBay for $66. It's going to be quite a restoration.
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Tom Pettingill
From: California, USA (deceased)
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Brad Bechtel
From: San Francisco, CA
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Posted 9 Dec 2009 10:53 am
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I thought of you when I saw this on eBay. I wish you good luck. If anyone could make this playable again, it would be you. _________________ Brad’s Page of Steel
A web site devoted to acoustic & electric lap steel guitars |
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Rick Hanzlik
From: Utah, USA
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Posted 9 Dec 2009 10:58 am
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Good luck with that one. Will you re chrome the bridge parts? looks like a lot of work. |
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Steve Branscom
From: Pacific NW
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Posted 9 Dec 2009 12:36 pm
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Alan,
I'm really looking forward to the upcoming serial on the New Yorker's restoration. I'm thinking of your Stringmaster restoration commentary and photos. _________________ Steve |
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Rich Hlaves
From: Wildomar, California, USA
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Posted 9 Dec 2009 1:29 pm
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Wow, This one looks like it was submerged, maybe in salt water. Ouch! Hurricane victim?
This will be interesting, best of luck! |
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Jay Jessup
From: Charlottesville, VA, USA
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Posted 9 Dec 2009 4:22 pm
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Alan,
I have one of those in the seven string version that looks like it was rarely played, even still has the Valco warranty card in the case pocket so if you need pics I need to wait about a week until my daughter gets home from college but could take some and forward them to you then if you think it would be helpful. |
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Fred Kinbom
From: Berlin, Germany, via Stockholm, Sweden.
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John Billings
From: Ohio, USA
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Posted 10 Dec 2009 5:03 am
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Katrina victim? |
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Bill Creller
From: Saginaw, Michigan, USA (deceased)
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Posted 10 Dec 2009 6:51 pm
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That looks like a real project alright. The catalog says they are made of hard maple. That one has the Supro pick up. Don't know if that pickup was better or worse than the models with the other single pickup. You are gonna have fun Alan !! |
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Alan Brookes
From: Brummy living in Southern California
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Posted 11 Dec 2009 3:32 pm
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Well, that restoration didn't take long. Came out well, didn't it ?
...er, well, actually this is an immaculate New Yorker from my collection. I don't imagine I'm going to get the other one to look like this, but when I saw it on eBay it looked like it was crying out, "Help Me ! ", and who can resist a lady in distress? |
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Denny Turner
From: Oahu, Hawaii USA
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Posted 12 Dec 2009 9:14 am
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Quote: |
I don't imagine I'm going to get the other one to look like this... |
Maybe not; But I bet YOU COULD if you wanted to !
(Looks do-able to me; And yer a much better Luthifer than I) ! _________________ Aloha,
Denny T~
http://www.dennysguitars.com/
Please help support humanity:
http://www.redcross.org/en/aboutus |
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Bill Creller
From: Saginaw, Michigan, USA (deceased)
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Posted 12 Dec 2009 6:20 pm
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That one in your picture is REALLY NICE Alan!! The bridge/pickup cover is outstanding !! |
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Alan Brookes
From: Brummy living in Southern California
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Posted 13 Dec 2009 11:21 am
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Yes Bill. I was lucky enough to buy it a couple of years ago from someone whose Dad had bought it and given up learning how to play it after just an hour or two, and put it away in the closet in its case for forty years. |
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Alan Brookes
From: Brummy living in Southern California
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Posted 19 Dec 2009 8:34 pm
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I made a start on the restoration today. This is what it looked like when I received it...
As can be seen the serial number is 1932G. Does anyone have any idea what year that makes it ?
It had to come to pieces, so the first thing was to mask off around all the screws, to avoid marking the fingerboard or body in case of a slip...
It certainly looks like a hospital case at this stage.
A few hours later and...
Only a few of the screws came out. After taking a few out, which were red rusty and broke off, I inserted a wooden wedge under the finger board and carefully tapped it along. All the screws broke off as I progressed, until the entire fingerboard was off. It's made of metal, by the way.
The smaller screws holding the pickup and control knob had to be drilled out, while I had to take a hacksaw to the two bigger ones. All of the screws were red rusty. I inserted a blade under the black/white plastic and drew it carefully along the body, and it came off quite easily.
I think I can clean up the plastic and cement it back together. If not, I'll cut some new pieces from sheet plastic. I shall fabricate some new parts for the pickup. Tomorrow I shall sand down the body and respray it. It should be black. I don't see restoration of the body being much of a job.
More anon. |
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Michael Lee Allen
From: Portage Park / Irving Park, Chicago, Illinois
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Posted 19 Dec 2009 8:45 pm
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REMOVED _________________ "Wisdom does not always come with age. Many times age arrives alone."
Last edited by Michael Lee Allen on 27 Feb 2011 2:12 pm; edited 1 time in total |
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Jon Bathmaker
From: Ontario, Canada
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Posted 20 Dec 2009 4:36 am Red Stringmaster
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Alan,
Do you plan to buy the red 3 neck and save her from a hard life ?
I would if I could but I can't and don't have the time if I did.
Regards,
Jon |
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Alan Brookes
From: Brummy living in Southern California
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Posted 20 Dec 2009 10:50 am Re: Red Stringmaster
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John Bathmaker wrote: |
...Do you plan to buy the red 3 neck and save her from a hard life ?... |
No, I thought about it, and I could even convert it back to a Quad because I have a spare 2nd neck, but I have too many projects on already and the price is too high for a long-term restoration. Also, I'm not particularly keen on Quads as they take up too much space and you have to lean too far forward when playing the far neck. |
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Alan Brookes
From: Brummy living in Southern California
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Posted 20 Dec 2009 5:31 pm
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Today I sanded down the body. The dirt and decayed metal on the fingerboard couldn't be removed chemically, so I sanded down the fingerboard, too. It looks good in bare metal, but I shall spray it black and pick out the frets in white as it was originally. I've had little success cleaning the plastic so I may repray it.
Since then I've also put a first coat of black on the fingerboard and the underneath of the body. I had to stop work because it started to rain, and I always spray outside, under the deck.
I can't understand why someone in the past had stripped this instrument down to its bare wood. I would have thought that one of the main features of the New Yorker was that it was designed in Art Deco style, not as polished wood.
I must admit, since I already have a New Yorker in the traditional black, I did consider finishing it in a different color.
I shall be interested to hear if the pickup still works. |
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Clyde Mattocks
From: Kinston, North Carolina, USA
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Posted 20 Dec 2009 5:51 pm
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My hats off to you for even undertaking this one, Alan. It looks like you've got a grip on it already.
I'm anxious to see how this one turns out. _________________ LeGrande II, Nash. 112, Harlow Dobro |
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Jon Bathmaker
From: Ontario, Canada
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Posted 20 Dec 2009 7:19 pm
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Alan Brookes wrote:
Quote: |
No, I thought about it, and I could even convert it back to a Quad because I have a spare 2nd neck, but I have too many projects on already and the price is too high for a long-term restoration. |
I corresponded with the seller (Matt at Rocking Robin, nice guy) 'cos I figured he'd never get the $500 opening bid. Was I wrong ! But I agree with you Alan, the price is way high. (That doesn't mean that I wouldn't pay the $1K if I had it ) Sadly, I'm afraid that it will probably be broken up for parts.
Steve Howe (YES, that Steve Howe) has a blonde Mk. I Quad that he thinks was once Leon McAulife's and has an album cover with a picture of Leon with the guitar. Leon must have flogged it when he got the red one.
Best,
Jonny B. |
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Tom Pettingill
From: California, USA (deceased)
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Alan Brookes
From: Brummy living in Southern California
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Posted 22 Dec 2009 6:18 pm
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I might fabricate new parts. What gives it the New Yorker tone are the windings and the magnets. Those are reusable.
If the worst comes to the worst I might put a different pickup on it. After all, there's no way this instrument can be restored to its original specification. Apart from anything else, the potentiometer is wasted, together with the condensers, etc. They're all going to have to be replaced with modern parts, and the pickup cover was originally made of molded Bakelite, which is impossible to replicate. I also have to replicate the New Yorker nameplate missing from the side. |
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Fred Kinbom
From: Berlin, Germany, via Stockholm, Sweden.
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Posted 23 Dec 2009 3:28 am
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Alan Brookes wrote: |
and the pickup cover was originally made of molded Bakelite, which is impossible to replicate. I also have to replicate the New Yorker nameplate missing from the side. |
Alan, these "war years" New Yorkers had wooden pickup covers (painted black) and there was no nameplate on the side of the early models. Check out this thread:
http://bb.steelguitarforum.com/viewtopic.php?t=117255
It contains several pics on the ca. 1941 one (like yours but in decent condition) I had and sold, and other pics and spec info about the variations of the New Yorker through its 30 years in production.
Cheers,
Fred _________________ www.fredrikkinbom.com - New lap steel album out now - listen here: fredrikkinbom.bandcamp.com/album/songs-for-lap-steel-and-harmonium |
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Alan Brookes
From: Brummy living in Southern California
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Posted 23 Dec 2009 4:10 pm
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Thanks for bringing that to my attention, Fred. I must have seen it before since I commented on it last year, but I'd completely forgotten it. I was wondering what I was going to do about the pickup cover, but fabricating one from wood is going to be easy.
I plan on working on it again tomorrow. It's going to need several more coats of paint, and several light sandings between coats, so I hope the rain keeps away. |
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